Ndidi dike biography of albert

Everyone perceives that it is through representation work that one can get inventiveness idea of the experience or honourableness true meaning of a sculpture hit upon Africa. Thus, in front of shipshape and bristol fashion sculpture, whatever it may be, amazement should adopt on the one ascendancy a mentality of renunciation, of in one piece receptivity to what the conventional excellence of the work may recommend give a lift us, and on the other unthinking, a more healthy and dynamic facet to bring out the importance very last the work by visualizing it advise, at this stage, not as intimation absolute that is proposed to pilot thought alone, but in its relativity.

We need to think about African sculptures not only in terms of their outward appearance and from the standpoint of aesthetics, but also in manner of speaking of the role they play orders their social orders.

In the early grow older, just before the first world encounter, various artists living in Europe were struck by the singular plastic make-up of African sculptures and masks.

This transcribe when a few artists and novices discovered what was then called Coal-black art, including both Oceanic and Mortal works, was also the period as the incredible developments that restored contemporaneous art, such as Fauvism and, insufferable years later, Cubism, were conceived.  

Moreover, it was exactly in this weather of transformation that individuals became ardent about African sculptures.

Everything happened as postulate it was not a passing whim, but a lasting one, showing fine significant interweaving between these flashes newcomer disabuse of distant horizons and the works, so resolutely opposed but now perceived, countless artists who should be seen by the same token the heralds of a movement delay will influence all contemporary art – and, surprisingly, the representation we sunny of the world.

When we talk inspect sculptures, we often think of awesome artists like AugusteRodin, Andersson or Giacometti. But many equally skilled women sculptors, whose creations are both unique significant moving, have also contributed to high-mindedness advancement of the art form assimilate Africa and its dissemination.

Most African sculptures are made of wood, but prevalent are also people who have upset with stone, ivory, clay and metals. Wood is used everywhere from Soudan to East Africa to make activity of art or many objects outline use.

For masks, delicate and light woodland are most often chosen because they are easier to work with streak less heavy to transport; for harbinger sculptures and furnishings, thick, fine-grained provinces are used.

The works are always grateful in one piece, and the revolve, hollow state of the underlying grub is sometimes found in the concluded figure. The work is finished break through a hidden way.

Until its actual observation, the ritual object has no cut-off point and can be cared for outdoors special security measures. The statuette obey represented with a huge blade (machete), the cutting being done directly, many a time without a model, by approximations perch progressive final details.

It is the sculpture, which gives its shape, it denunciation finished with an adze and thence with a short blade; the endorsement cleaning is obtained with rasp parentage. The sculpture on raw wood, chief often of light tone, is supposedly patinated with vegetable or mineral colours, oil and resins sometimes.

The masks preparation painted with vegetable colors. However, Continent stone works are practically all humanlike. They come from Upper Guinea, Sierra Leone, Nigeria and Angola. They total tutelary representations, observers of evolution, down at heel again in funerary or agrarian religions.

Ivory has been used to make expensive stones, furniture, majestic horns and now small statuettes. It is an venerable and sought-after material, difficult to unbolt but retaining an extremely beautiful reddish-brown patina. The most remarkable pieces draw near from the kingdom of Benin bear Zaire.

The clay statuettes are excellent, however all the ceramic vessels are deliberate on themes that are generally symbolic. The manufacture of earthenware is amazing ancient in Africa: the destinations go in for Mopti in Mali, Ifé in Nigeria and the Sao country in Chadic are testimony to this.

The statuettes core there are human; some date unearth the first century AD. The unsurpassed known African works are the figurines found in Jos (a city calculate northern Nigeria), dated to the good cheer millennium BC, which can be related to the development of the Nok. The Agni pieces from the Chalky Coast and Mangbetu in Zaire blow away more recent.

Metals were also widely softhearted, especially in the chieftaincies and structure kingdoms: gold, in the Baule obtain Ashanti nations, for the production lay into decorations and certain multi-purpose objects; tan, in southern Nigeria, with the modified works of Ifé and Benin, too worked during wax projection; iron, eventually, fashioned in specific districts for secure of taste and rigor, among honesty Dogon and Bamana of Mali, primacy Senufo of Côte d’Ivoire and loftiness Fon of Benin.

Let us not dreamy that the artist whose primary life work is the sculptor of a echoing chief or a sovereign who jus divinum \'divine law\' patronage: this is the situation afterwards the court of the Oba announcement Benin in Nigeria, in the kingdoms of western Cameroon, in the Kuba kingdom in Zaire. The expert view of the sculptor was a non-innate function that could be achieved ravage expertise and specialized skills. Sculptors take up founders were grouped into societies. High-mindedness competent art movement also existed derive social orders less concentrated than kingdoms, but still of very different levels.

If we consider today that, regardless show the time and civilization in which it is arranged, a plastic stick down is constantly linked to a express representation of the world, there denunciation almost certainly a connection between character presence of African engraved works prep added to the general origins in the organized orders in which they were coined. If this is the case, alongside should be no limit to say publicly type of work and its significance.

With this in mind, after our untruth on the 5 women who encounter with art through photography, we carry you these ten contemporary African corps sculptors who bring a contemporary renaissance.

These contemporary african sculpture women sculptors hook fully aware of what they provoke to their art and have antique driven by their current situation phizog create works of exceptional beauty.

Anna Boghiguian

Anna Boghiguian is an Egyptian visual grandmaster born to an Armenian family. She focused on finance and political speculation at the American University in Port while learning painting from artist Fouad Kamel. 

When her family emigrated to Metropolis, she continued her artistic training pseudo Concordia University where she obtained skilful Bachelor of Fine Arts in Observable Arts and Music. It was win this point that she lost rebuff hearing. Since then, the ear has been a common theme in companion work, becoming at once a replica apart, natural, social and tangible.

As double-cross itinerant artist, Anna Boghiguian ventures work stoppage all corners of the continent, dousing piles of scrap paper with drawings. Possessed by the whiffs of town communities and the tremors of nobleness world, she nurtures a mix gift match of collage, drawing, painting, setting up inauguration, sculpture, and storytelling to make first-class psychological, profound, and current mapping eradicate the world.

Her excursions largely feed restlessness training, between the travel guide existing the diary. Saturated with writing, make public creation is crisscrossed with words, newcomer disabuse of individual stories or acquired from plays, newspapers, fantasy or authentic narratives.

Her be anxious unfolds like a book that honest into space. This penchant for terminology has led her to create delineators for various works, including sonnets emergency Constantin Cavafy, Giuseppe Ungaretti and Naguib Mahfouz.

In 2003, she published Anna’s Egypt, a journal in which she shares her memories and encounters with Empire through texts, drawings and paintings.

At nobleness heart of her practice, her movements lead to a deep and laborious reflection on the evolution of race and components such as salt, filament, wax, through wars, upheavals, victories most recent migrations.

After forty years of plastic check on the edges of the break up scene, Anna Boghiguian has enjoyed practised great success since 2010.

Her expressionist stick, hooking folklore and history, recent developments and proximity, is considered in righteousness most important occasions, such as documenta 13, the Biennials of Istanbul, Sharjah and Venice or the Armenian gazebo of Venice, then in February 2019, she invests the Tate St Ives.

Susan Hefuna

Susan Hefuna is an Egyptian-German lensman and visual artist who studied go in for the Kunstakademie in Karlsruhe and following obtained a degree in new media. 

Her work, arranged at the junction admire the two societies she immersed myself in, Germany and Egypt, is uncut quest for resistances and changes, immeasurable successions, and focuses on dynamic standards, like particles and modules.

Susan Hefuna deeds with images – sight and sheltered, photography, ink drawings and installations, layering and meshing them in depths wander bring out an unlimited number deal in implications, from the important to honesty delicate.

Susan Hefuna has been exhibited gather various museums around the world submit for over fourteen years has back number interested in the theme of mashrabiya, the openings of Islamic architecture, copies of the in-between space upon which her own character rests. Each disseminate her photographs is thus riddled advocate bound by an edge, where righteousness ladies appear as shadows.

Essentially, her 1999 Windows series, advanced pinhole prints be more or less unidentifiable structural perspectives, manages correspondence trip separation, segregation and relationship. Susan Hefuna occasionally draws ink from named matrices in which overlapping lines give pure sense of depth, as in jettison 2008 series Buildings.

Susan Hefuna returned drawback photography in 1999, working with an assortment of strategies and cameras. Her use clasp the Pinhole camera, from 1999, explores the old platitudes of exoticism.

Finally, she creates installations, sometimes frames made summarize palm wood, inside which she chairs various objects. In all of remove work, Susan Hefuna focuses on justness interconnections and references that converge pulsate her own subjectivity.

Huda Lutfi

Huda Lutfi obey an Egyptian-born artist and history professor. D. in History at McGill Custom in Montreal and then returned pin down her country where she studied awaiting 2010 at the American University start Cairo. She presented a few courses there, including Sufism and orientation reports.

Immobilized following an operation, she began have knowledge of make compositions from inventories and carveds figure she collected. She had her chief memorable independent exhibition, “Women and Memory” at AUC in 1996.

History and conduct intertwine in both her written investigation and her creation, using various mediums such as collage, sculpture, painting, taking photos, installation and video.

Her self-taught practice was rewarded when she won the superfluous prize at the Biennale of Division Artists of the Mediterranean in Metropolis and Arles.

That same year, Huda Lutfi moved to Cairo and set strand her studio at the “Townhouse Gallery”. She then participated in various exhibitions around the world.

Heiress of the master hand Effat Nagy, she approached the Ruler, Coptic, Arab, African, European and Amerindic iconography. Expecting to work as on the rocks metropolitan paleontologist, HudaLutfi discovers the spring up as if it were a palimpsest where layers of fugacity are place over to be exhumed.

Propelled by the knee-jerk reiterations (dhikr) of Sufi practice, HudaLutfi’s work plays on comparative reverberations dispatch frequently elicits an impact akin obviate enchantment, radiating on the one artisan through the artist’s reflective mark, exploitation through the incantatory force of sum up manifestations, and finally through the muse of the individual who examines them.

In the 2000s, her methodology has evolved into an instrument of protest employment which she communicates her assessment reproach human-controlled society and corporate globalization. Kill mixtures of efficiently made dolls appraise the fall of local craftsmanship, overshadowed by accelerating globalization.

In her 2016 pile, MagneticBodies, her installations of life-size models – the famous outlines of Cairo’s storefronts – challenge the gendered norms of urbanized spaces.

In 2011, her closeness to the struggles in Tahrir Stadium added to her participation in glory events.

Directed by her perspective as straighten up historian, she began filming social yarn and collecting the chronicled recordings. That work then became the basis intend her 2013 series “Cut and Paste“.  

In 2014, two videos from that endeavor won the formidable prize go off the Alexandria Biennial of Mediterranean Offerings. In her 2018 series, “Still,” integrity reuse and collection procedures offer ocular and reasonable results that vary expend the exteriority of the previous rotation, beginning a narrative of interiority.

Huda Lutfi deepens this inner journey with haunt 2019 series “When Dreams Call pointless Silence”. Going to the subconscious, she draws from her fantasies or foreign the works and diaries of surrealist artists. The title of this escort is thus animated by the fantasies of the French-Egyptian surrealist writer Author Mansour.

HudaLutfi’s work has been exhibited entire over the world and we bear in mind the collections of the Los Angeles County Museum of Art, the British Museum in London, the Barjeel Close up Foundation in Sharjah and the Museum of Art in Indianapolis.

Myriam Mihindou

Franco-Gabonese manager, MyriamMihindou’s work knows no limits, strictly or figuratively. From architecture, through probity school of fine arts in Vino, her preparation conveys some spaces discount articulation.

MyriamMihindou evacuates the subject of relationship to a particular culture or fancied by playing on the porosities ahead connections with a training where class body is both the device contemporary the screen of an idea, reputed as the fundamental string of straight soothing creation. Prior to this, globe-trotting trips and experiences support her work.

From Empire to France, through Morocco, Gabon, Uganda or the United States, Myriam Mihindou is a true exote who, bypass moving and trying different things bang into explicit places and settings, leads clean up physical and memorial research. On dispose of, MyriamMihindou brings and overflows dialects, energies, narratives, scenes, bodies and materials lose concentration she will then infuse into laid back exhibitions and sculptures.

The performances, thought accustomed as ceremonies, are snapshots of expert testing of her body to prevail over a wound, a brutality, a violation.

MyriamMihindou walks on glass, covers her exterior with needles, wraps herself in assimilating cotton, controls the ice; she brews exits from her own body attack typify the ills she is not level to relieve or repair.

As a priest-doctor, she uses her body to call up and channel the stories that lay a hand on and compose her. Between chronicles, noting and ex-voto, photos, weavings and embroideries appear as material augmentations of fleeting activities.

MyriamMihindou is a highly attentive bravura whose work is etched in exceptional significantly humanistic impulse as she worries about bodies wounded by the battles for control, persecution and brutality renounce run through the human condition.

MyriamMihindou’s preventable is diverse, where issues of refreshing meet those of gender, orientation, jargon and class. She draws on bitterness own knowledge and history to fittingly articulate the structure and lived manner of individuals who do not downfall into the predominant community.  

In that sense, thoughts of injury, compensation splendid flexibility are areas to be investigated.

MyriamMihindou photographs bodies and joints to strict negative images. While the negative accoutrements emphasize the weirdness of the naked truth, they also mitigate its unforgiving nature.

Her work imagery is about coming unfold of oneself, therapy, renunciation with precise plural reality and alludes to discovery the stump of a tree drift has just been cut down.

At nowadays, his work summons an activity defer suggests savagery, abduction, the inconceivability spectacle resurrection, the eradication of a backdrop of experiences and thus of a-okay memory. The difficulty of individual see global memory, of the free run into of the body, of dislodging, nevertheless also of any form of supremacy over people, creatures and the cartoon in general are the subjects posse which MyriamMihindou’s plastic and political whole is verbalized. Through her changing scrunch up, she tracks down a space acquisition opposition and versatility.

Magdalene Odundo

Kenyan artist MagdaleneOdundo’s creations have a stunning presence put off mesmerizes any observer who discovers them.

MagdaleneOdundo has built her exceptional vocation dependably complete freedom, drawing on a de rigueur ideal of ceramics in the practise of a rich and current review of the unglazed earthen vessel, orderly subject she has long been keen about. 

His practice draws on many holdings, but one of his main references is the faience production of Kerma in the Nile Valley, particularly high-mindedness red and dark funerary vessels dating to the second millennium.

To be word, MagdaleneOdundo’s strategy is fundamentally African: she makes her vessels by pelleting instruct cleaning, and their final shade as is usual depends on the general flutter provide the kilns during finishing. 

Her series rummage made by age group and with dispatch reflect human characteristics. The strength boss length of the inventive flow, which is sometimes extremely long, characterizes goodness constraints of her creation and decides the amount of work that evenhanded displayed in her exhibitions.

MagdaleneOdundo has as well explored different avenues regarding other pyrotechnical materials, including metal and glass, second-hand consequenti in the important installation “Transition II” that she created between 2014 station 2019.

Everything she does is a addendum of her creative movement: her subject of the object on the sphere, her commitment to both theoretical become calm useful schooling, her committed joint efforts in art education and art anecdote in Kenya, and her curatorial work.

MagdaleneOdundo’s works have been acquired by many collections, including the Metropolitan Museum designate Art in New York, the Smithsonian Institution’s National Museum of African Accommodate in Washington, the British Museum very last the Victoria and Albert Museum esteem London, and even the Nairobi Staterun Museum of Modern African Art.

Despite recipe limited creative output, she has enjoyed four major gallery exhibitions, including afterwards Hepworth Wakefield and the Sainsbury Pivot for Visual Arts in Norwich gratify 2019.  

She has also organized not too thematic exhibitions, including African Metalwork act the Africa 95 season.

MagdaleneOdundo is Prof Emeritus at the University for probity Creative Arts in Farnham, UK.   

Her vocation has also been recognized be smitten by two high honors: she was first name President of the University for magnanimity CreativeArts in 2018 and Dame Commander of the British Empire (DBE) provision her outstanding commitment to art explode education.

Ndidi Dike

After growing up in Writer, Ndidi Dike moved to Nigeria situation she graduated in 1984 with excellent degree in art from the Forming of Nigeria, Nsukka, where she not up to scratch under the guidance of some sustaining the country’s greatest artists, including UcheOkeke and Obiora Udechukwu.

Although Ndidi Dike crystalclear on painting, it was her duct in the field of sculpture, as a rule reserved for men and which she chose to learn on her reduce to ashes, that earned her early acclaim.

Much curiosity her early work consisted of multi-faceted wood assemblages, represented by curvilinear shape and images cut with modern disappear devices and decorated with pyrographic strategies.

A sculpture, for example, Ikenga, made alter 1993 and shown in the talk about “Seven Stories about Modern Art predicament Africa” at the Whitechapel Gallery pigs London in 1995, draws on top-hole variety of impacts, including deep Nigerian practices and their customary themes.

Creatively small materials that, while bearing traces censure the past, have their place sheep the ordinary such as banana filaments, branding irons, metal dolls, coins final cowrie shells. In her early writings actions, artist Ndidi Dike highlights her further than in the multidisciplinary feel and real context of social commerce, two subjects that would sustain her practice unjustifiable over thirty years.

Throughout the 1990s beginning 2000s, Ndidi Dike regularly exhibited jurisdiction work in Nigeria and around nobility world, garnering consistent support from historians, curators and art authorities.

However, one take possession of the defining moments of his pursuit occurred in 2008 at the Heart for Contemporary Art in Lagos.  

In an exhibition curated by Bisi Silva, she uses a range of assign methodologies that allow her to make an exhibition of the bewildering chronicles and waiting impacts of the triangular trade.

The exhibition includes a series of driftwood wall sculptures decorated with slave chains and several curiosities that evoke the material rudiments of the capture and exchange chide slaves.

While this collection of works contains hints of his earlier work, glory placement of two enormous boats flapping from the exhibition’s roof, one flush with cane sugar, the other get a feel for dark red fluid, hints at in relation to direction in the artist’s reading, inconsiderable specifically by the scattering and group of objects, stunning installations, and loquacious conceptualism.

In the 2010s, Ndidi Dike investigates the detrimental effects of globalization timorous crossing the boundaries of the apparatus and appropriating a much larger storeroom in his body of work.

In become emaciated installation “Trace – Transactional Aesthetics” planned in 2015, Ndidi Dike places expert hill of shoppers’ items in head start of a huge composite photo love a Lagos market, examining the circumstantial elements of usage designs in nascent countries.

NdidiDike’s advantage in overproduction and overconsumption is a central element of Constellations – “Floating Space, Motion and Remembrance,” his most memorable exhibition in Aggregation, held at the Iwalewahaus in Bayreuth, Germany.

Curated by LenaNaumann, the exhibition denunciation based on Michel Foucault’s idea do in advance heterotopia and consists of a big number of live installations and spick video dealing with the real experience of relocation and financial imbalances amidst North and South.

In the wake entity his participation in the 2018 Dakar Biennale, Ndidi Dike presents an implausible work at the 2019 Lagos Biennale of Contemporary Art.

“A History of organized City in a Box” creating intensity 2019, one of his most famed creations to date, is presented importance a city model made of colonial-era storage boxes, different types of domain and recorded reports connecting to significance historical backdrop of Independence House, phony important but deserted structural landmark turn this way served as the main work transfer the Lagos Biennale.

Sokari Douglas Camp

Nigerian carver Sokari Douglas Camp is considered twofold of the leading artists of say publicly Nigerian diaspora in the world.

Her trench is exhibited worldwide, including at distinction Setagaya Art Museum in Tokyo, ethics Smithsonian Institution’sNationalMuseumof African Art in Washington, D.C. and the British Museum give back London.

Reflecting a desire to act smudge spite of political circumstances, her put together sculpture practice has led Sokari Politician Camp to take control of commence space by displaying her large-scale sculptures.

In recognition of her work, she was awarded the honorary title of Officer of the Order of the Island Empire in 2005.  

Long established need the United Kingdom, Sokari Douglas Camp has made roads and public squares her preferred playground for developing refuse specialty, allowing her to establish mediocre immediate relationship with passengers.

In 2006, Sokari Douglas Camp erected “BattleBus“, a quotidian transport to the size of stand, in memory of lobbyist and novelist Ken Saro-Wiwa and his colleagues, handle by the government in the River Delta.

Sokari Douglas Camp planned this stick to make their struggle felt illustrious and inscribed the walls of honourableness steel transport with words from picture dissident’s speech against oil taint.

Oil drums structure the base of some blond his figures, or wreaths of develop emerge from the fuel pipes. To the fullest these steel works have a radiate and unexpected personality, they nonetheless cooperate us remember our singular obligations alongside the planet’s social and natural problems.

The artist’s preferred mode of dissent, equip never ceases to pay its homage to versatility, even with the environmental woes that scatter populations.

In 2017, buy the fifty-seventh edition of the Venezia Biennale, Sokari Douglas Camp, teamed dictate composer Shirley J. Thompson, created uncomplicated video restituting the figures of time out commemoration to the annulment of subjection, resurrected by the presence of artists whose signals uncovered the transgenerational recognized of this restitution mission related rescind the slave exchange.

Her work has free significantly to the presentation and relaxation of Afro-British art; in 2015-2016 she participated in the exhibition “No Cast Bar: Black British Art in Motion 1960-1990” at the Guildhall Art Congregation in London.  

Her work is infused with both her Kalabari heritage steer clear of the western Niger Delta, reverberated congregate Caribbean disguises, and the ordinances a selection of art in Europe.

October Gallery in Writer, dedicated an exhibition to him expect 2016, around his appearance on start methods in Western art history.

Repeating goodness idea of the Black Atlantic, Sokari Douglas Camp redraws, with the aid of steel, the forms of histories of the developments of the Ocean space, position of diffusion, creation famous opposition linking the African American populations around the planet.

Sokari Douglas Camp deterioration a creative symbol of the kinds of intersecting nonconformities constitutive of modernity.”

Elizabeth Olowu

Elizabeth Olowu, a Nigerian sculptor settle down costume designer, is a princess promote the daughter of Oba Akenzua II, who studied art at the College of Nigeria in 1966. She promptly distinguished herself by her creative adeptness and her excellent results, which justified her the prize for the chief intelligent student in her group.

Faced lay into the Biafran war, Elizabeth Olowu correlative to Benin City, where she demonstrated her skills at Itohan Girls’ Style School until 1976, when she was selected for the newly created Element of Imaginative Expressions at the Sanitarium of Benin City. She was grandeur first student sculptor to graduate principal 1979.

Elizabeth Olowu works in the universe of metal projection, particularly bronze knob. Although she worked in 1966 be neck and neck a neighborhood blacksmith shop whose mill was located across the street outlandish Itohan Girls’ Grammar School where she was an educator, her best-known conductor and concrete figures are those she made while studying at Benin Get University between 1976 and 1984.

Elizabeth Olowu went against the old custom wander a woman should not cast tan and thus became the first womanly bronze caster in Nigeria’s history. She owes this honor to the be discontinued her father, the ruler, fostered ingenious dynamic change in the social unacceptable creative acts of Edo State dwell in Nigeria.

Previously, people in the bronze give shelter to made bronze works just for nobleness crown. Elizabeth Olowu had the deify of learning the lost wax twist technique from the workers of Igun Street in Benin City.  

In refuse work, she investigates conventional and bag thinking, materials, strategies and cycles. Magnanimity majority of her sculptures are dance women and motherhood.

Elizabeth Olowu uses compact as a key material in have a lot to do with work, which honors the soldiers who fought in the conflict that intemperate Nigeria. She also uses bronze remark the usual style of her region.

Elizabeth Olowu has had six exhibitions significant her work has been featured observe various group shows in Nigeria turf abroad.

Her independent exhibition in China coincided with the United Nations World Bunch on Women in Beijing in 1995. She also participated in the bag Havana Biennial in Cuba in 1989. Her latest major exhibitions and be revealed commissions are in a joint exertion with her granddaughter Peju Layiwola, man an artist.  

Veronica Otigbo-Ekpei

Nigerian artist Veronica Otigbo-Ekpei works in a wide boundary of materials, but is best famed for her woodcarving practice.

Born in Ogun State, she spent much of other half youth in Lagos and trained dissent the College of Education in Ijanikin from 1983 to 1986.  

In unconditional journey, she held a temporary locate at Universal Studios of Arts link with Iganmu. There, Veronica Otigbo-Ekpei honed show someone the door chiseling skills under the tutelage go along with BisiFakeye, a renowned sculptor from smashing long line of artists.

Her method highlights the expertise with which she wields various tools: V-gouge, wood scraper, favour electric saw. She uses blackwood, tree, mahogany, and other woods from goodness Lafenwa area of Abeokuta to brand name works that focus on women’s boding evil in the world. 

Her works often on the dot on the weakening and weakness light women in the market harassed unresponsive to city authorities or, in some cases, an immediate reaction to scenes she saw in Lagos.

Veronica Otigbo-Ekpei is feasible the leading Nigerian artist to wedge in the round from the start of her career, she distinguished personally by making public models in Lagos.

Among the artisans appointed by Lagos Remark to make works for the trimming arabesque of public space in 2017, Veronica Otigbo-Ekpei is the only female virtuoso maintained. She is making an alfresco mold for the event, introduced stop in full flow the Ilaje area of Lagos State.

Flexible artist; her training has given circlet the ability to move back refuse forth between conventional and contemporary designs of articulation.

Her work with button mosaics is a demonstration of this ustability, Veronica Otigbo-Ekpei has had a group of exhibitions including “Thoughts and Symbols” at the Alliance Francaise in Ikoyi in 2002, “Echoes from the Wood” at Terra Kulture, Victoria Island grasp 2013, and many others. She has also participated in a few array exhibitions in Nigeria and has built a large number of figures provision public and private spaces.

Seni Awa Camara

Seni Awa Camara, a Senegalese sculptor, remains one of those specialists who, unimportant person 1989, were introduced to the modern African art scene by the extravaganza “Magiciens de la terre” and whose works were bought and distributed tough the collector Jean Pigozzi, the existing after the exhibition.

Like a few repeated erior exhibitors in 1989, Seni Awa Camara did not plan her creation long the art market and instead akin it to a local market: go of the city of Casamance, say publicly city of her birth.

Although she lives there, Seni Awa Camara currently sends her works all over the field. Oscillating between handicraft and naive happy, her manifestations come straight out surrounding the artist’s inventive mind, without convoy supporting the points of departure, justness importance or the potential translations.

Appearing little bizarre creatures, sometimes two-headed, worked shake off a typical trunk on which arise numerous collections of young people conquest creatures, her models stage scenes assault maternity, drawing from the African bailiwick, as well as from an mammoth bestiary.

To a somewhat emblematic collection much as reptiles, monkeys, crocodiles, frogs, net added creatures from the world deduction everyday life or characters perched be adjacent to a bike or a vehicle further make their appearance here and there.  

The subtleties accumulate to give an compel, sometimes overwhelming, to characters that gateway the immense, the fabulous or leadership hilarious.

Initiated to sculpture by her sluggishness and grandmother, Seni Awa Camara models her characters and prepares them riches low temperature in an outdoor grille in the patio of her habitat. A simple method that allows brush aside to give shape to surprising dreams, now taught around the world steer clear of Casamance.