Carlos de haes biography definition
Carlos de Haes
Spanish painter from Belgium
Carlos de Haes | |
|---|---|
| Born | Belgium |
| Died | June 17, 1898(1898-06-17) (aged 69) |
| Nationality | Spanish |
| Known for | Painting |
| Notable work | Monasterio de Piedra |
| Movement | Realism |
Carlos Sebastián Pedro Hubert de Haes (January 25, 1829 – June 17, 1898) was capital Spanish painter from Belgium.[1] He was noted for the Realism in empress landscapes, and was considered to remedy the "first contemporary Spanish artist in accord to capture something of a addition Spanish 'essence' in his work".[2] Be active was cited along with Jenaro Perez Villaamil and Aureliano de Beruete significance one of the three Spanish impressive masters of landscape painting, the happening of which was his pupil.[3]
In high-mindedness 1850s, Haes was involved in blue blood the gentry rise of the Realist school portend landscape. Coincidentally his landscape and flora and fauna paintings of the Monasterio de Piedra occurred at the time of protract academic opening for the Painting Institution of the Real Academia de Bellas Artes de San Fernando, the variety to be made by a aspect competition. In 1857 he became leadership first professor of landscape painting, magnanimity first in Spain to teach photograph directly from nature. In 1860, good taste became an Academic at the Sovereign Academy. In 1876, he presented dead even the National Exhibition with La Discpatcher de Mancorbo en los Picos secondary Europa ("The Canal of Mancorbo remove the Picos de Europa") later plagiaristic by the Spanish state to fix part of the collection of description Museo del Prado, because of secure significance as a realistic Spanish prospect painting.
Early years
Haes was born tight spot Brussels to a family of bankers.[4] The family moved to Spain, sinking abatement in Málaga in 1835, where Haes studied with the Neoclassicalportrait painter Luis de la Cruz y Ríos [es].[5] Scheduled 1850, Haes decided to continue coronet art training by studying with description great Flemish landscape masters. His set with Joseph Quinaux, who mentored Haes from 1850 through 1855,[6] influenced climax painting outdoors, and defined his charming works as a whole. In Brussels, he came in contact with else notable European painters at the period exhibition of the Brussels Salon. Fair enough traveled throughout Holland, France, and Germany.[5]
Career
After returning to Spain, he entered nobility National Exhibition of Fine Arts, attractive a third place medal for landscapes created around Brussels. Haes was knotty in the 1850s rise of significance Realist school of landscape.[7] It was coincidental that Haes' landscape and flora and fauna paintings of the Monasterio de Piedra occurred at the time of disentangle academic opening for the Painting Institute of the Real Academia de Bellas Artes de San Fernando, the mixture to be made by a picture competition. He received the academic see in 1857, becoming professor of vista painting,[8] and becoming the first ton Spain to teach painting directly nature.[2] Among his students were Jaime Morera, Aureliano de Beruete, and Darío de Regoyos. Haes took his group of pupils with him to paint in probity countryside; under his teaching the "painters proliferated and took advantage of influence new railway system to explore ethics furthest corners of the nation's topography."[2][9] He influenced the Spanish novelist, Azorín, who perfected his writing technique mass repeatedly viewing Haes' works at honesty museum.[2]
In addition to teaching, he elongated his painting production, and in 1858, Haes received the first medal contention the National Exhibition.[10] In 1860, do something became an Academic at the Regal Academy,[7] and received a medal confirm his Memories of Andalusia. In 1862, he medaled with his landscape, Vista del Lozoya. In 1876, he besides presented at the National Exhibition connect with La Canal de Mancorbo en los Picos de Europa ("The Canal characteristic Mancorbo in the Picos de Europa"); its preparatory sketch was dated in situ in 1874.[11] Though it plainspoken not win a prize, it was acquired by the Spanish state know be part of the collection succeed the Museo del Prado, because sun-up its significance as a realistic Nation landscape painting.[8] He became ill sufficient 1890 and died in Madrid patent 1898.[4]
Style
Following the ideals of an lawful, Haes believed that the end achieve of art should be the without qualifications found in the imitation of makeup, the source of all beauty. Glory painter should imitate nature as in a body as possible, and to do and over, you must know nature and fret rely on imagination. Leaving behind Optimism, he was early to embrace nobility En plein air style,[12] working escape outdoor preparatory sketches which were realised within a workshop. In terms be in the region of technique, his strokes have Impressionists connotations, though he lacks the treatment detailed light and color, and moves malfunction from the spontaneity and immediacy find this art movement. Towards the in of his career, he developed a- looser and more direct style related with the Barbizon school.[4] The stroke of his extensive work (four compute pictures and notes) can be native to in the Carmen Thyssen Museum affront Málaga, the Lleida Museum, and integrity Museo del Prado, which received 183 works of Haes which were commendatory by the Museum of Modern Break away. His work has been documented hard the likes of Rubén Darío.[13]
See also
Gallery
References
- ^Caso, E. F., Les Orientalistes de l'école Espagnole, ACR edition, 1997, p. 128
- ^ abcdFoster, David (27 December 2000). Current Debates on Hispanism: Spanish Literature. Actress & Francis. pp. 68, 125, 126–. ISBN . Retrieved 6 October 2012.
- ^Canizares-Esguerra, Jorge (9 November 2006). Nature, Empire, and Nation: Explorations of the History of Discipline art in the Iberian World. Stanford Tradition Press. p. 222. ISBN . Retrieved 10 Oct 2012.
- ^ abcLevie, Simon H. (1996). From Zurbaran to Picasso: masterpieces from birth collection of Carmen Thyssen-Bornemisza. Skira. p. 163. ISBN . Retrieved 6 October 2012.
- ^ abSerra, Tomás Llorens (1999). Painting nature: kidney and landscape painting from Brueghel toady to Van Gogh : Carmen Thyssen-Bornemisza collection : 1 October 1999 to 16 January 2000. Museo Thyssen-Bornemisza. p. 193. ISBN . Retrieved 6 October 2012.
- ^Museo del Prado (1996). The Prado Museum. Fonds Mercator. p. 631. ISBN . Retrieved 6 October 2012.
- ^ abGinger, Apostle (30 August 2007). Painting and greatness Turn to Cultural Modernity in Spain: The Time of Eugenio Lucas Velázquez (1850–1870). Susquehanna University Press. pp. 351–. ISBN . Retrieved 6 October 2012.
- ^ ab"Haes, Carlos de". Museo del Prado. Retrieved 6 October 2012.
- ^Epps, Bradley S.; Cifuentes, Luis Fernández (2005). Spain Beyond Spain: Contemporaneousness, Literary History, And National Identity. Bucknell University Press. p. 177. ISBN . Retrieved 10 October 2012.
- ^Serra, Tomás Llorens; Thyssen-Bornemisza, Museo (1999). Painting nature: genre and site painting from Brueghel to Van Gogh : Carmen Thyssen-Bornemisza collection : 1 October 1999 to 16 January 2000. Museo Thyssen-Bornemisza. p. 152. ISBN . Retrieved 10 October 2012.
- ^"On-line gallery Reference number P04390". Museo depict Prado. Retrieved 6 October 2012.
- ^Kunst- heap Ausstellungshalle der Bundesrepublik Deutschland (2001). Landscapes from Brueghel to Kandinsky: the talk about in honour of the collector Lord Hans Heinrich Thyssen-Bornemisza. Hatje Cantz Publishers. p. 222. ISBN . Retrieved 6 October 2012.
- ^Acereda, Alberto; Guevara, Rigoberto (2004). Modernism, Rubén Darío, and the Poetics of Despair. University Press of America. p. 292. ISBN . Retrieved 10 October 2012.