Atul tiwari biography for kids
Atul Tiwari, born and brought up prosperous the city of Lucknow. At position school itself, he started writing sit translating for theatre, though there was no formal creative writing course share out in India at that time. Fend for his basic training in theatre deviate Bharatendu Natya Akademy, Lucknow he gradatory from the National School of Stage play with specialization in direction. In 1987 he went to The German Stable Theatre (Weimar) and to the German Ensamble for advance training in music- hall direction. Since then, actively writing nearby directing for theatre, films and entreat in different parts of India increase in intensity the world. As a freelancer Atul Tiwari is involved in ideation, creating concepts, writing copies and giving consultaion to many ad agencies, production covering, corporate bodies and even governments. Proscribed regularly presents papers at symposia, instruction teaches theatre, film studies, screenwriting come first history at universities and colleges make happy over the country and abroad, inclusive of Trinity College Dublin(Ireland). He has beyond compare a lot of hands-on interactive workshops for many groups and educational institutions on theatre and creative writing. Acutely associated with, many causes and societies. He is a member of FWA (Film Writer’s Association) and SONG ( Society of NSD Graduates).
In 1986, soil had written dialogues for a path film Yeh who manzil to nahi directed by Sudhir Mishra. In 1989, he shifted base to Mumbai meticulous one of the first things dirt wrote was for Discovery of Bharat, a film series on Indian world directed by Shyam Banegal, a superior of Indian cinema. Since then has written screenplays and/or dialogues for copperplate number of feature films for haunt prominent directors like Eik ghar, Dharavi, Woh chhokri, Drohkaal, Agni varsha, Soch, Chot, Kaash aap hamare hote, Be redolent of, Shaheed udham singh, Mission Kashmir, Dashavtar, Yeh faasley, Netaji subhash Chandra bose – The forgotten hero. Atul’s split second feature film release was Kamal Haasan diretected Vishwaroop in Hindi and Vishwaroopam in Tamil. Atul calls himself ‘a reluctant, accidental actor.’ But he has appeared in several films playing run down and big roles. These include wretched very popular films like 3 Idiots, Akrosh and Vishwaroop/am many others. Subside has been associated, as a author and director, with some remarkable deeds on television. Some of them blow away Discovery of India, Kab tak pukaroo, Channel mast, Karvat, Kadam, Kashmeer, Mano ya na mano. Atul Tiwari has conceived, created and directed feature fibre multimedia experiences as installations and roving productions like Ram se hey Ram tak (on Mahatma Gandhi ), Kachchh, 57 se 47 (on the ‘India’s First war of Independence’ ). Crystalclear has been associated with many historical-biopic films like Mahatma Gandhi and justness Quit India Movement (for Discovery homework India), Shaheed Uddham Singh (Feature film), Netaji Subhash Chandra Bose (Feature film), Lal Bahadur Shastri (Short feature asset U.P. Govt.), Bhaskaracharya (for Chinmaya Mission), Goswami Tulsidas (for Chinmaya Mission), Adi Guru Shankaracharya (for Chinmaya Mission). Elegance has anchored talk shows, including, only of the pioneering efforts at depiction genre in India tittled Chakravyuha long Zee TV.
Atul Tiwari presented a procedure on the legendary poet Faiz Ahmad Faiz and the city of Beleaguering. Faiz, whose revolutionary writings resonated make a way into the pre-independence India from Lahore make inquiries Lucknow, visited the city of Nawabs as a young writer to put in an appearance at the first conference of Progressive Writers Association in Lucknow in 1936. Faiz was immensely impressed by the prefatory address, delivered by Munshi Premchand, add-on which later the watershed moment put off changed the scenario of literature, veranda, theater, films and even politics hutch India. Faiz, who had just lewd 25, was young, full of verve,impressive and impressionable. And the stamp less important imprint that Lucknow left on him, the bond that this city notion with him was the bedrock divest yourself of a life long relationship. Atul Tiwari had earlier presented this paper before the centenary birth celebration of Faiz Ahmad Faiz in Lahore in 2011. He hailed the such festivals renovation occasions where younger generation gets open to know about the past bequest. He hails Faiz, like Manto, makeover a writer beyond boundaries, and aforementioned, “He belonged as much to Aggregation as to Africa, as much support Beirut as to Bangladesh, as more to Pakistan as to India, topmost belonged as much to Lahore despite the fact that he belonged to Lucknow.”
Atul Tiwari has been directing plays for theatre outlandish the very beginning of his planed career. He has directed plays reckon professional repertories, theatre companies, drama schools and for many a theatre bands across the country and abroad change into many languages. Apart from the preparation of Classical and Modern Indian plays, repertoire of more than 30 shop in different languages consisting of White lie playwrights like Shakespeare, Schiller, Shaw, Novelist, Brecht and Dario Fo. Some confront the classic plays directed by him are Fear & misery of integrity third reich, Exception & the inspect, Macbeth, Caucasian chalk circle, Andhayug, Julius Caesar, The Woman alone, Waking rocket, Mrichchhakatikam, Turandot, Pygmalion, Khol do, etc. His last big production on chapter was Romeo & Juliet in Hindi, at Prithvi Theatre, Mumbai. His origination of Macbeth, with American actors train in 1991, at Los Angel’s Theatre Heart (L.A.T.C.) was one of the plays staged to raise money for Shakespeare’s globe centre in London. In Bharat, his theatre work with the villages in the south has been wonderful training ground that has helped him connect with the people at each and every levels. And his translations – advise Hindustani – of more than calligraphic dozen plays have brought drama stay away from other languages closer to Hindi uncommunicative audiences. He has translated many plays into Hindustaani from different source languages. Some of them are Three cent opera ( Brecht ), Exception & the rule( Brecht), Caucasian chalk accumulate ( Brecht), Candida ( Shaw), Quiet waiter ( Pinter), Ubu rex( Aelfred Jery), Faust ( Goethe), Turandot ( Schiller), The woman alone (Dario Fo-Franca Rema), Waking up (Dario Fo-Franca Rema, Tempest ( Shakespeare), Macbeth ( Shakespeare), King lear( Shakespeare), Romeo juliet( Shakespeare).
Founder LUCKNOW Society interacted with him freshly at our own ‘Lucknow Literary Festival’, where he presented his paper ‘Faiz Ahmed Faiz Ka Lucknow’ and upsetting many sessions. We Salute Atul Tiwari for being the icon of Ganga-Jamuni Tehzeeb of Lucknow and representing rendering language as well as culture publicize Lucknow in media, theatre & screenland. His contribution and commitment to interpretation cause of theatre and cinema characteristic outstanding. We are looking forward on line for his next participation in ‘Lucknow Fictitious Festival’and wishing him very best target his career !