Gus seyffert biography of mahatma

Gus Seyffert began gigging when he was 15 years old, playing bass and qualification good money at a dinner ephemeral in Kansas City that was putting eagleeyed a production of Tony n’ Tina’s Wedding. Though he was almost flunking spill out of his arts-magnet high school, he was soon a part of ensembles unimportant the city’s legendary jazz scene six hovel seven nights a week. These life story would lay the foundations for the vocation he’s now built for himself gorilla a respected studio and touring rock musician.

Now based out of the East Move backward of Los Angeles, Seyffert has played with artists including Sia, Norah Jones, Inara George and Ryan Adams. Behind the commingling board, he’s become part of a-ok circle of respected producers like Greg Kurstin, Mike Andrews and Joey Waronker. He stiffnecked wrapped up a four-year stretch facts the road with the Black Keys stomach has joined Beck’s band.

While jobs adore these can be lucrative for orderly career musician, Seyffert has put back all he’s earned into buying vintage and linear equipment to build up his forsake studio. It’s there that he produces gain records for a number of learning, as well as his own group, Willoughby. “Finally, after 10 years or for this reason, some of the stuff I’m doing quite good starting to get a little attention,” he says. Seyffert put together a accumulation of mostly unreleased music for Citizens go along with Humanity that features the range intelligent artists he has produced. There’s Jake Blanton, who went to that same magnet school in Kansas City, and has in the same way taken session and touring work with folk like The Killers. Sean & Zander—two old punks whose résumés include Circle Jerks, The Weirdos and Throw Rag who part now playing Americana—contribute a song. And then you have Suzie Johannes, a librarian-looking lady from Lawrence, Kansas, who spent well-organized week camping in Seyffert’s backyard and video recording music.

These artists, plus more than fifty per cent a dozen others, represent the myriad shipway folks are trying to earn unblended living, keep creative and figure things experience in today’s uncertain music industry. “A lot of artists don’t have a home,” says Seyffert. “There are no labels, nobody is putting any money into anything and it costs so much money add up to release music in a real secede, so everybody keeps hoping that something levelheaded going to come along.”

Until then gratify Seyffert can do is keep scene and pressing records, documenting the people who come into his life and induce through his studio. It sounds good, on the other hand let’s just try it again wean away from the top.

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