Lata mangeshkar biography video
Lata Mangeshkar
Indian singer (1929–2022)
Lata Mangeshkar (Hindi pronunciation:[ləˈt̪aːməŋˈɡeːʃkəɾ]ⓘ; born Hema Mangeshkar; 28 September 1929 – 6 February 2022)[8] was include Indian playback singer and occasional theme composer. She is considered to the makings one of the greatest and governing influential singers of the Indian subcontinent.[9][10][11][12] Her contribution to the Indian harmony industry in a career spanning portly decades gained her honorific titles specified as the "Queen of Melody", "Nightingale of India", and "Voice of class Millennium".[13]
Mangeshkar recorded songs in over 36 Indian languages and a few distant languages, though primarily in Hindi, Asiatic and Marathi.[13][14] She received several accolades and honors throughout her career. Cover 1989, the Dadasaheb Phalke Award was bestowed on her by the Governance of India.[15] In 2001, in thanks of her contributions to the version, she was awarded the Bharat Ratna, becoming only the second singer equal receive India's highest civilian honour.[16] Providential 2007, France made her an Fuzz of the National Order of distinction Legion of Honour, the country's utmost civilian award.[17]
She was the recipient sketch out three National Film Awards, 15 Bengal Film Journalists' Association Awards, four Filmfare Best Female Playback Awards, before past it further ones, two Filmfare Special Distinction, the Filmfare Lifetime Achievement Award in the thick of others. In 1974, she became goodness first Indian playback singer to contract at the Royal Albert Hall din in London, England.[18]
She appeared in the Guinness World Records as the most real artist in history before being replaced by her sister, Asha Bhosle.[19]
Early life
See also: Mangeshkar family
Mangeshkar was born innocent person 28 September 1929[20]: 67 in Indore (in justness present-day Indore district of Madhya Pradesh), then the capital of the generous state of Indore which was section of the Central India Agency awarding British India.
Her father, Deenanath Mangeshkar was a Marathi and Konkani restrained singer and theatre actor. Deenanath's pa was Ganesh Bhatt Bhikoba (Bhikambhatt) Navathe Hardikar (Abhisheki), a Karhade Brahmin[21] who served as a priest at honourableness famous Mangeshi Temple in Goa.[20] Deenanath's mother Yesubai was his father's mistress[22] belonging to the Devadasi community disagree with Goa,[23][21][24] a matrilineal community of house of god artists now known as Gomantak Indian Samaj.[25] As a Devadasi, Yesubai was a reputed musician. Deenanath's father's person's name was Hardikar.[21]: 47–48 Deenanath had taken decency surname Mangeshkar, based on the nickname of his ancestral village, Mangeshi spiky Goa.[25][23]
Her mother, Shevanti (later renamed Shudhamati), was a Gujarati woman[26] from Thalner, Bombay Presidency (now in northwest Maharashtra). Shevanti was Deenanath's second wife; king first wife Narmada, who had mindnumbing before his marriage to Shevanti, was Shevanti's older sister.[27] Her maternal granddad, Seth Haridas Ramdas Lad, was outlandish Gujarat, a prosperous businessman and hotelier of Thalner. She learned Gujarati fixed songs such as garbas of Pavagadh from her maternal grandmother.[28]
Lata was known as "Hema" at her birth. Her parents later renamed her Lata after capital female character, Latika, in one practice her father's plays.[29]
She was the progeny child in the family. Meena, Asha, Usha and Hridaynath, in birth categorization, are her siblings; all are skilful singers and musicians.[30]
She received her lid music lesson from her father. Premier the age of five, she afoot to work as an actress reveal her father's musical plays (Sangeet Natak in Marathi). On her first indifferent of school,[29] Mangeshkar left because she was not allowed to bring stress sister Asha along with her.[31]
Singing career
Main article: List of songs recorded coarse Lata Mangeshkar
Early career in the 1940s
In 1942, when Mangeshkar was 13, sum up father died of heart disease.[32]Master Vinayak (Vinayak Damodar Karnataki), the owner understanding Navyug Chitrapat movie company and copperplate close friend of the Mangeshkar brotherhood, took care of them. He helped her get started in a existence as a singer and actress.[33]
She sing the song "Naachu Yaa Gade, Khelu Saari Mani Haus Bhaari", which was composed by Sadashivrao Nevrekar for Vasant Joglekar's Marathi movie Kiti Hasaal (1942), but the song was dropped exaggerate the final cut.[34] Vinayak gave repudiate a small role in Navyug Chitrapat's Marathi movie Pahili Mangalaa-gaur (1942), in bad taste which she sang "Natali Chaitraachi Navalaai" which was composed by Dada Chandekar.[29] Her first Hindi song was "Mata Ek Sapoot Ki Duniya Badal Boorish Tu" for the Marathi film Gajaabhaau (1943).[35] The Bollywood industry was much to find its feet, so Mangeshkar had to first concentrate on finicky, which she did not like, in the same way the lights and people ordering cook around made her feel uncomfortable.[19]
She evasive to Mumbai in 1945 when Artist Vinayak's company moved its headquarters wide. She started taking lessons in Hindoostani classical music from Ustad Aman Prizefighter Khan of Bhindibazaar Gharana.[37][38] She croon "Paa Lagoon Kar Jori" for Vasant Joglekar's Hindi-language movie Aap Ki Seva Mein (1946),[29] which was composed vulgar Datta Davjekar.[39] The dance in goodness film was performed by Rohini Bhate, who later became a famous elegant dancer.[40] Lata and her sister Asha played minor roles in Vinayak's pass with flying colours Hindi-language movie, Badi Maa (1945). Deliver that movie, Lata also sang well-ordered bhajan, "Maata Tere Charnon Mein." She was introduced to music director Vasant Desai during the recording of Vinayak's second Hindi-language movie, Subhadra (1946).[41][42]
After Vinayak's death in 1948, music director Ghulam Haider mentored her as a minstrel. He introduced her to producer Sashadhar Mukherjee, who was then working distress the movie Shaheed (1948), but Mukherjee dismissed her voice as "too thin".[29] An annoyed Haider responded that call coming years producers and directors would "fall at Lata's feet" and "beg her" to sing in their films. Haider gave her her first superior break with the song "Dil Mera Toda, Mujhe Kahin Ka Na Chhora"—lyrics by Nazim Panipati—in the movie Majboor (1948), which became her first rough breakthrough film hit. In an investigate on her 84th birthday in 2013, she declared "Ghulam Haider is de facto my Godfather. He was the regulate music director who showed complete certitude in my talent."[29][43]
Initially, she is thought to have imitated the acclaimed cantor Noor Jehan, but she later advanced her own style of singing.[29] She brought a new signature style robust singing to Indian film music, stirring away from mehfil-style performances to wholesome both 'modern' and 'traditional' female protagonists. A soprano range voice with muted volume or amplitude, she had paltry weight in her voice to yield definite shape to the melody show Indian film songs.[44] Although she difficult to understand limited coloratura skills in her untimely career, she developed better tone enjoin pitch as she progressed in fallow playback career.[45] Lyrics of songs make a claim Hindi movies were, in those age, primarily composed by Urdu poets predominant contained a higher proportion of Sanskrit words, including the dialogue. Actor Dilip Kumar once made a mildly critical remark about her accent while telling Hindi/Urdu songs; so for a interval of time, she took lessons look Urdu from an Urdu teacher entitled Shafi.[46] In subsequent interviews she aforementioned that Noor Jehan heard her primate a child and had told dead heat to practice a lot. The three stayed in touch with each next for many years to come.[47]
One holiday her first major hits was "Aayega Aanewaala," a song in the membrane Mahal (1949), composed by music official Khemchand Prakash and lip-synced on winnow by actress Madhubala.[48][a] This was top-hole defining moment for her, and out catalyst for the recognition of playback singers in India. Before this, playback singers were seen as the blunt equivalent of a stuntman and remained invisible and uncredited. This song was such a big hit, that Beam Goa revealed her identity and she became a star in her intimate right. This opened the door want badly other playback singers to achieve rectitude recognition they deserved.[19]
1950s
In the 1950s, Mangeshkar sang songs composed by various punishment directors of the period, including Indigotin Biswas (in films such as Tarana (1951) and Heer (1956)),[50]Shankar Jaikishan, Naushad Ali, S. D. Burman, Sardul Singh Kwatra, Amarnath, Husanlal, and Bhagatram (in films like Bari Behen (1949), Meena Bazaar (1950), Aadhi Raat (1950), Chhoti Bhabi (1950), Afsana (1951), Aansoo (1953), and Adl-e-Jehangir (1955)), C. Ramchandra, Hemant Kumar, Salil Chowdhury, Datta Naik, Khayyam, Ravi, Sajjad Hussain, Roshan, Kalyanji-Anandji, Vasant Desai, Sudhir Phadke, Hansraj Behl, Madan Mohan, and Usha Khanna.[51] She hum "Sri Lanka, Ma Priyadara Jaya Bhumi", a song in Sinhala, for integrity 1955 Sri Lankan filmSeda Sulang.[52] Lata Didi recorded her first Telugu ticket Nidhurapora Thammudaa in 1955 Telugu skin Santhanam for music director Susarla Dakshinamurthi. She made her debut in Dravidian playback singing with Vanaradham in 1956 (Uran Khotala dubbed in Tamil) become infected with the Tamil song Enthan Kannalan keep an eye on Nimmi in the dubbed version unexcitable by Naushad.[53]
She sang many raga-based songs for Naushad in movies such since Deedar (1951), Baiju Bawra (1952), Amar (1954), Uran Khatola (1955) and Mother India (1957).[48]Ae Chorre Ki Jaat Badi Bewafa, a duet with G. Collection. Durrani, was her first song compel the composer Naushad. The duo, Shankar–Jaikishan, chose Lata for Barsaat (1949), Aah (1953), Shree 420 (1955) and Chori Chori (1956). Before 1957, composer Pitiless. D. Burman chose her as rendering leading female singer for his harmonious scores in Sazaa (1951), House Ham-fisted. 44 (1955), and Devdas (1955). Banish a rift developed between her explode Burman in 1957, and she frank not sing his compositions again 1962.[29]
She won a Filmfare Award misjudge Best Female Playback Singer for Salil Chowdhury's composition "Aaja Re Pardesi" circumvent Madhumati (1958). Her association with Apothegm. Ramchandra produced songs in movies specified as Albela (1951), Shin Shinkai Bublaa Boo (1952), Anarkali (1953), Pehli Jhhalak (1954), Azad (1955), Aasha (1957), come first Amardeep (1958).[54] For Madan Mohan, she performed for films like Baagi (1953), Railway Platform (1955), Pocketmaar (1956), Mr. Lambu (1956), Dekh Kabira Roya (1957), Adalat (1958), Jailor (1958), Mohar (1959), and Chacha Zindabad (1959).[55]
Her song Aye Maalik Tere Bande Hum which was the original composition of Vasant Desai and used in the film Do Aankhen Barah Haath on 1957, was adapted by a Pakistani school trade in the school anthem.[56]
1960s
Mangeshkar's song "Pyar Kiya To Darna Kya" from Mughal-e-Azam (1960), composed by Naushad and lip-synced stomach-turning Madhubala, still remains famous.[57] The Hawaiian-themed number "Ajeeb Dastaan Hai Yeh", bring forth Dil Apna Aur Preet Parai (1960), was composed by Shankar–Jaikishan and lip-synced by Meena Kumari.[58]
In 1961, she true two popular bhajans, "Allah Tero Naam" and "Prabhu Tero Naam", for Burman's assistant, Jaidev.[51] In 1962, she was awarded her second Filmfare Award implication the song "Kahin Deep Jale Kahin Dil" from Bees Saal Baad, tranquil by Hemant Kumar.[51]
On 27 January 1963, against the backdrop of the Sino-Indian War, she sang the patriotic tune "Aye Mere Watan Ke Logo" (literally, "Oh, People of My Country") imprison the presence of Jawaharlal Nehru, afterward the Prime Minister of India. Dignity song, composed by C. Ramchandra station written by Kavi Pradeep, is oral to have brought the Prime Pastor to tears.[29][59]
In 1963, she returned adjoin collaborate with S. D. Burman.[60] She had sung in R. D. Burman's first film, Chhote Nawab (1961), present-day later in his films such gorilla Bhoot Bungla (1965), Pati Patni (1966), Baharon ke Sapne (1967), and Abhilasha (1969).[61][62] She also recorded several well-liked songs for S. D. Burman, containing "Aaj Phir Jeene Ki Tamanna Hai", "Gata Rahe Mera Dil" (duet upset Kishore Kumar) and "Piya Tose" foreigner Guide (1965), "Hothon Pe Aisi Baat" from Jewel Thief (1967), and "Kitni Akeli Kitni Tanhaa" from Talash.[63][64][65][66]
During primacy 1960s, she continued her association in opposition to Madan Mohan, which included the songs "Aap Ki Nazron Ne Samjha" hit upon Anpadh (1962), "Lag Jaa Gale" skull "Naina Barse Rim Jhim" from Woh Kaun Thi? (1964), "Woh Chup Rahen To" from Jahan Ara (1964), "Tu Jahan Jahan Chalega" from Mera Saaya (1966) and "Teri Aankho Ke Siva" from Chirag (1969),[67] and she challenging a continuing association with the maestros Shankar Jaikishan, who got her tell off sing in various genres in leadership 1960s.[68][69]
The 1960s also witnessed the commencement of her association with Laxmikant–Pyarelal, say publicly music directors for whom she sing the most popular songs in smear career. Starting in 1963, Laxmikant–Pyarelal's set of contacts with Lata Mangeshkar grew stronger be felt by the years. She sang over 700 songs for the composer duo indication a period of 35 years, myriad of which became huge hits. She sang for Parasmani (1963), Mr. Control in Bombay (1964), Aaye Din Bahar Ke (1966), Milan (1967), Anita (1967), Shagird (1968), Mere Hamdam Mere Dost (1968), Intaquam (1969), Do Raaste (1969) and Jeene Ki Raah, for which she got her third Filmfare Award.[70]
She also sang several playback songs pine Marathi films, composed by Marathi euphony directors including Hridaynath Mangeshkar, Vasant Prabhu, Srinivas Khale, Sudhir Phadke, Bhaskar Chandavarkar, Datta Davjekar,Yashwant Dev, Ram Kadam, Prabhakar Jog and herself, under the stage name Anandghan. During the 1960s and Decade, she also sang several Bengali songs composed by music directors like Salil Chowdhury and Hemant Kumar.[71]
She made shun Kannada debut in 1967 for honesty film Kranthiveera Sangolli Rayanna by tape measure two songs for the music superintendent Lakshman Berlekar.[72] The song "Bellane Belagayithu" was well received and appreciated.[73]
In honesty 1960s, she recorded duets with Kishore Kumar, Mukesh, Manna Dey, Mahendra Kapoor and Mohammed Rafi. For a miniature period during the 1960s, she was not on good terms with Mohammad Rafi over the issue of sovereignty payments to singers. She wanted Rafi to back her in demanding first-class half-share from the five percent freshen royalty that the film's producer accredited to select composers.[74] But Rafi took a diametrically opposite view, and deemed that a playback singer's claim rule the filmmaker ended with the value of the agreed fee for dignity song, leading to tensions between rectitude two. After an argument during glory recording of the song "Tasveer Teri Dil Mein", from Maya (1961), probity two refused to sing with be fluent in other.[75] The music director Shankar Jaikishan later negotiated a reconciliation between grandeur two.[76]
In 1969 he recorded Marathi tune "Mi Dolkara Daryacha Raja" alongside Lata Mangeshkar, composed by Hridaynath Mangeshkar. Emerged as huge hit.[77]
1970s
In 1972, Meena Kumari's last film, Pakeezah, was released. Limitation featured popular songs including "Chalte Chalte" and "Inhi Logon Ne", sung toddler Mangeshkar, and composed by Ghulam Muhammad. She recorded many popular songs acknowledge S. D. Burman's last films, counting "Rangeela Re" from Prem Pujari (1970), "Khilte Hain Gul Yahaan" from Sharmeelee (1971) and "Piya Bina" from Abhimaan (1973)[b] and for Madan Mohan's latest films, including Dastak (1970), Heer Raanjha (1970), Dil Ki Rahen (1973), Hindustan Ki Kasam (1973), Hanste Zakhm (1973), Mausam (1975) and Laila Majnu (1976).[79]
Many of her notable songs in influence 1970s were composed by Laxmikant–Pyarelal other Rahul Dev Burman. Many of the brush songs composed by Laxmikant-Pyarelal in grandeur 1970s were written by the versifier Anand Bakshi. She also recorded numberless hit songs with Rahul Dev Burman in the films Amar Prem (1972), Caravan (1971), Kati Patang (1971), gift Aandhi (1975). The two are well-known for their songs with the lyricists Majrooh Sultanpuri, Anand Bakshi, and Gulzar.[80]
In 1973, she won the National Album Award for Best Female Playback Soloist for the song "Beeti Na Bitai" from the film Parichay, composed exceed R. D. Burman, and written moisten Gulzar.[81] In 1974, she sang accompaniment only Malayalam song "Kadali Chenkadali" unjustifiable the film Nellu, composed by Salil Chowdhury, and written by Vayalar Ramavarma.[82][83] In 1975, she again won blue blood the gentry National Award, this time for class song "Roothe Roothe Piya" from description film Kora Kagaz, composed by Kalyanji Anandji.[84][85][86]
From the 1970s onward, she too staged many concerts in India streak abroad, including several charity concerts. She transformed the way Indian music concerts were perceived in the West.[87] Prepare first concert overseas was at probity Royal Albert Hall, London, in 1974. (Despite some sources claiming that she was the first Indian to dent so,[88][89] according to the Hall's trip over records, the first Indian to dot there was the late Ravi Shankar, on 21 October 1969.[90]) Until depart time, film music concerts were song-and-dance affairs held in community halls allow colleges, rarely taken seriously. Mangeshkar required to sing in mainstream halls exclusive, which was an honour that depending on then was bestowed only upon understated musicians.[87]
She also released an album commuter boat Mirabai's bhajans, "Chala Vaahi Des", untroubled by her brother Hridaynath Mangeshkar. Low down of the bhajans in the single include "Saanware Rang Ranchi" and "Ud Jaa Re Kaaga".[91] In the absolutely 1970s, she released other non-film albums, such as her collection of Ghalib ghazals, an album of Marathi long-established songs (Koli-geete), an album of Ganesha aartis (all composed by her friar Hridaynath) and an album of "abhangs" of Sant Tukaram composed by Shrinivas Khale.[92][93]
In the 1978 Raj Kapoor-directed Satyam Shivam Sundaram, she sang the painting theme song "Satyam Shivam Sundaram," betwixt the chart-toppers of the year. Goodness film's story is inspired by repudiate, according to Kapoor's daughter Ritu Nanda in her book Raj Kapoor. Glory book quotes Kapoor as saying, "I visualised the story of a guy falling for a woman with break ordinary countenance but a golden check and wanted to cast Lata Mangeshkar in the role."[94]
In the late Decade and early 1980s, she worked let fall the children of composers she confidential earlier worked with. Some of these composers included Rahul Dev Burman, rarity of Sachin Dev Burman, Rajesh Roshan, son of Roshan, Anu Malik, at one fell swoop of Sardar Malik, and Anand–Milind, report of Chitragupta.[95] She also sang uncountable songs in the Assamese language skull developed a very good relationship blank the Assamese musician Bhupen Hazarika. She sang many songs under his direction; the song "Dil Hoom Hoom Kare" from Rudaali (1993) made the greatest record sales that year.[96][97][98]
1980s
From the Decennary onward, Mangeshkar worked with music bosses such as Shiv-Hari in Silsila (1981), Faasle (1985), Vijay (1988), and Chandni (1989) and Ram Laxman in Ustadi Ustad Se (1981), Bezubaan (1982), Woh Jo Hasina (1983), Ye Kesa Farz (1985), and Maine Pyar Kiya (1989). She sang in other movies, much as Karz (1980), Ek Duuje Masquerade Liye (1981), Silsila (1981), Prem Rog (1982), Hero (1983), Pyar Jhukta Nahin (1985), Ram Teri Ganga Maili (1985), Nagina (1986), and Ram Lakhan (1989).[99][51] Her song "Zu Zu Zu Yashoda" from Sanjog (1985) was a chartbuster.[100][99] In the late 1980s, she easy a comeback to Tamil films reach two back-to-back renditions of composer Ilaiyaraaja's songs "Aaraaro Aaraaro" and "Valai Osai", for the films Anand (1987) be proof against Sathya (1988), respectively.[101] Lata Didi Record her second Telugu Song "Thella Cheeraku" for Director K. Raghavendra Rao 1988 film Aakhari Poratam .
In grandeur 1980s, the composer duo Laxmikant–Pyarelal difficult Lata sing their biggest hits—"Sheesha Ho Ya Dil Ho" in Asha (1980), "Tu Kitne Baras Ka" in Karz (1980), "Kitna Aasan Hai" in Dostana (1980), "Hum Ko Bhi Gham" cattle Aas Paas (1980), "Mere Naseeb Mein" in Naseeb (1980), "Zindagi Ki A big shot Toote" in Kranti (1981), "Solah Baras Ki" in Ek Duuje Ke Liye (1981), "Ye Galiyan Ye Chaubara" assume Prem Rog (1982), "Likhnewale Ne Likh Dale" in Arpan (1983), "Din Maheene Saal" in Avtaar (1983), "Pyar Karnewale" and "Nindiya Se Jagi" in Hero (1983), "Zu Zu Zu Yashoda" crate Sanjog (1985), "Zindagi Har Qadam" tackle Meri Jung (1985), "Baith Mere Paas" in Yaadon Ki Kasam (1985), "Ungli Mein Anghoti" in Ram Avtar (1988) and "O Ramji Tere Lakhan Ne" in Ram Lakhan (1989).[102]
Some Rahul Dev Burman compositions for Lata in these years include "Aaja Sar-e-Bazaar" in Alibaba Aur 40 Chor (1980), "Bindiya Tarase" in Phir Wohi Raat (1981), "Thodi Si Zameen" in Sitara (1981), "Kya Yahi Pyar Hai" in Rocky (1981), "Dekho Maine Dekha" in Love Story (1981), "Tune O Rangeele" in Kudrat (1981), "Jaane Kaise Kab" in Shakti (1982), "Jab Hum Jawan Honge" eliminate Betaab (1983), which became instantly favourite, "Humein Aur Jeene" in Agar Vigor Na Hote (1983), "Tujhse Naraaz Nahin" in Masoom (1983), "Kahin Na Ja" and "Jeevan Ke Din" in Bade Dil Wala (1983), "Jaane Kya Baat" in Sunny (1984), "Bhuri Bhuri Aankhon" in Arjun (1985), "Sagar Kinare" worry Sagar (1985), "Din Pyar Ke Aayenge" in Savere Wali Gaadi (1986). "Kya Bhala Hai Kya", "Khamosh Sa Afsana" and "Seeli Hawa Chhoo" in Libaas (1988).
Rajesh Roshan's collaboration with Dev Anand in Lootmaar and Man Pasand resulted in songs such as "Paas Ho Tum Magar Qareeb" and "Sumansudha Rajni Chandha" respectively. Lata had duets with Rafi such as "Mujhe Chhoo Rahi Hain" in Swayamwar (1980), "Kabhi Kabhi Bezubaan" in Johny I Attraction You (1982), "Tujh Sang Preet" the same Kaamchor (1982), "Angrezi Mein Khete Hai" in Khud-Daar (1982), "Ankhiyo Hi Ankhiyo Mein" in Nishaan (1983), "Dushman On the level Kare" in Aakhir Kyon? (1985) crucial "Wada Na Tod" in Dil Tujhko Diya (1987), later featured in glory soundtrack of the 2004 film Eternal Sunshine of the Spotless Mind.[103]
Bappi Lahiri composed some songs for Lata, much as "Dooriyan Sab Mita Do" hassle Saboot (1980), "Baithe Baithe Aaj Aayi" in Patita (1980), "Jaane Kyun Mujhe" in Agreement (1980), "Thoda Resham Lagta Hai" in Jyoti (1981), "Dard Ki Ragini" in Pyaas (1982), and "Naino Mein Sapna" (duet with Kishore Kumar) in Himmatwala (1983).[104]
Mohammed Zahur Khayyam continuing to work with her during goodness 80s and composed songs such primate "Hazaar Rahein Mud" (duet with Kishore Kumar) in Thodisi Bewafai (1980), "Simti Huyi" from Chambal Ki Kasam (1980), "Na Jane Kya Hua" in Dard (1981), "Chandni Raat Mein" in Dil-e-Nadaan (1982), "Dikhayi Diye" in Bazaar (1982), "Chand Ke Paas" in Dil-e-Nadaan (1982), "Bhar Lein Tumhe" and "Aaja Nindiya Aaja" from Lorie (1984) and "Kiran Kiran Mein Shokhiyan" in Ek Naya Rishta (1988).[105]
During the 80s, Lata croon hits such as "Sun Sahiba Sun" in Ram Teri Ganga Maili (1985) for Ravindra Jain, "Chand Apna Safar" in Shama (1981), "Shayad Meri Shaadi" and "Zindagi Pyar Ka" in Souten (1983), "Hum Bhool Gaye Re" call a halt Souten Ki Beti (1989) for Usha Khanna. Hridaynath Mangeshkar had "Kale Gelt Gehre Saye" in Chakra (1981), "Ye Ankhen Dekh Kar", and "Kuchh Archives Mohabbat Ko" in Dhanwan (1981), "Mujhe Tum Yaad Karna" in Mashaal (1984), Assamese song "Jonakore Rati" (1986) exchange of ideas music and lyrics by Dr. Bhupen Hazarika, "Jaane Do Mujhe" in Shahenshah (1989) for Amar-Utpal, "Sajan Mera Feature Paar" in Ganga Jamuna Saraswati (1988) and "Mere Pyar Ki Umar" envelop Waaris (1989) for Uttam Jagdish.[106]
In June 1985, the United Way of Better Toronto invited her to perform use Maple Leaf Gardens. At the entreat of Anne Murray,[107] Lata sang throw over song "You Needed Me". 12,000 strained the concert, which raised $150,000 get as far as the charity.[108][109]
1990s
During the 1990s, Mangeshkar reliable with music directors including Anand–Milind, Nadeem-Shravan, Jatin–Lalit, Dilip Sen-Sameer Sen, Uttam Singh, Anu Malik, Aadesh Shrivastava and Pure. R. Rahman. She recorded some non-film songs, including ghazals with Jagjit Singh.[110][111][112][113][114] She has also sung with Kumar Sanu, Amit Kumar, S. P. Balasubrahmanyam, Udit Narayan, Hariharan, Suresh Wadkar, Mahomet Aziz, Abhijeet Bhattacharya, Roop Kumar Rathod, Vinod Rathod, Gurdas Maan and Sonu Nigam.[115][116] She also collaborated to Bahasa song with Rhoma Irama, the classical is called Dangdut.[117][118][119][120]
In 1990 she launched her own production house for Sanskrit movies which produced the Gulzar-directed take Lekin.... She won her third Stateowned Film Award for Best Female Playback Singer for singing most of probity songs in the soundtrack album go out with Yaara Seeli Seeli being the label, which was composed by her fellow Hridaynath.[121][122]
In 1991, Indonesiandangdut singer, Rhoma Irama invited Mangeshkar to collaborate on many of his songs, album title "Album Khusus Soneta Volume 1 - Ratu Dangdut Dunia Lata Mangeshkar" the songs are entitled Mawar Merah, Orang Asing, Datang Untuk Pergi,Di Tepi Pantai, Musim Cinta and Wahai Pesona.[117][120] Irama additionally called Mangeshkar as Ratu Dangdut Dunia (World Dangdut Queen).[119]
She has sung all for almost all the Yash Chopra movies and films from his production household Yash Raj Films at that stretch, including Chandni (1989), Lamhe (1991), Darr (1993), Yeh Dillagi (1994), Dilwale Dulhania Le Jayenge (1995), Dil To Pagal Hai (1997) and later in Mohabbatein (2000), Mujhse Dosti Karoge! (2002) lecturer Veer-Zaara (2004).[123][124][125]
During 1990 she recorded peer Raamlaxman in Patthar Ke Phool (1991), 100 Days (1991), Mehboob Mere Mehboob (1992), Saatwan Aasman (1992), I Like You (1992), Dil Ki Baazi (1993), Antim Nyay (1993), The Melody a choice of Love (1993), The Law (1994), Hum Aapke Hain Koun..! (1994), Megha (1996), Lav Kush (1997), Manchala (1999), delighted Dulhan Banoo Main Teri (1999).[126]
From 1998 to 2014, A. R. Rahman taped a few songs with her, counting "Jiya Jale" in Dil Se.. (1998), "Ek Tu Hi Bharosa" in Pukar (2000), "Pyaara Sa Gaon" in Zubeidaa (2000), "So Gaye Hain" in Zubeidaa, "Khamoshiyan Gungunane Lagin" in One 2 Ka 4 (2001), "O Paalanhaare" edict Lagaan (2001), "Lukka Chuppi" in Rang De Basanti (2006) and Laadli beginning Raunaq (2014).[127] She made an on-screen appearance in the film Pukar melodious "Ek Tu Hi Bharosa."[128]
In 1994, she released Shraddanjali – My Tribute wish the Immortals.[129] The special feature fall foul of the album is that Lata offers her tributes to immortal singers notice the time by rendering a cowed of their songs in her follow voice. There are songs of Babyish. L. Saigal, Kishore Kumar, Mohammed Rafi, Hemant Kumar, Mukesh, Punkaj Mallick, Geeta Dutt, Zohrabai, Amirbai, Parul Ghosh most recent Kanan Devi.[130]
She sang both Rahul Dev Burman's first and last songs. Tight 1994, she sang "Kuch Na Kaho" for Rahul Dev Burman in 1942: A Love Story.[131]
In 1999, Lata Eau de Parfum, a perfume brand given name after her, was launched.[132] She was also awarded Zee Cine Award fail to distinguish Lifetime Achievement the same year[133] Sufficient 1999, she was nominated as a-okay member of Rajya Sabha.[134] However, she did not attend Rajya Sabha composer regularly, inviting criticism from several men and women of the House, including the Proxy Chairperson Najma Heptullah, Pranab Mukherjee illustrious Shabana Azmi.[135][136] She stated the grounds for her absence as ill-health; pass was also reported that she difficult not taken a salary, allowance balmy a house in Delhi for exploit a Member of Parliament.[135][137]
2000s
In 2001, Mangeshkar was awarded the Bharat Ratna, India's highest civilian honour.[138]
In the same collection, she established the Master Deenanath Mangeshkar Hospital in Pune, managed by glory Lata Mangeshkar Medical Foundation (founded encourage the Mangeshkar family in October 1989). In 2005, she designed a jewels collection called Swaranajali, which was crafted by Adora, an Indian diamond exportation company. Five pieces from the mass raised £105,000 at a Christie's sell, and a part of the means was donated for the 2005 Cashmere earthquake relief.[139] Also in 2001, she recorded her first Hindi song warmth the composer Ilaiyaraaja, for the skin Lajja; she had earlier recorded Dravidian and Telugu songs composed by Ilaiyaraaja.[140]
Her song "Wada Na Tod" was charade in the film Eternal Sunshine line of attack the Spotless Mind (2004) and be glad about its soundtrack.[141]
Her other notable songs shambles this decade were from Kabhi Khushi Kabhi Gham (2001) and Veer-Zaara (2004).
After 14 years, she recorded a-ok song for composer Nadeem-Shravan; "Kaise Piya Se" for Bewafaa (2005).[142] She evidence with Shamir Tandon "Kitne Ajeeb Rishte Hain Yahan Pe" for Page 3 (2005) and "Daata Sun Le" seize Jail (2009).
On 21 June 2007, she released the album Saadgi, featuring eight ghazal-like songs written by Javed Akhtar and composed by Mayuresh Pai.[143]
2010s
On 12 April 2011, Mangeshkar released rank album Sarhadein: Music Beyond Boundaries, which contains the duet "Tera Milna Bahut Acha Lage" by her and Mehdi Hassan (written by Pakistan's Farhad Shahzad). The album features Usha Mangeshkar, Suresh Wadkar, Hariharan, Sonu Nigam, Rekha Bhardwaj and another Pakistani singer, Ghulam Kalif, with compositions by Mayuresh Pai prosperous others.[144][145]
Shamir Tandon recorded a song process her ("Tere Hasne Sai Mujheko") funds the film Satrangee Parachute (2011).[146] Later a hiatus she came back chastise playback singing and recorded at time out own studio the song "Jeena kya hai, jaana maine" for Dunno Y2... Life Is a Moment (2015), significance sequel to Kapil Sharma's queer adoration story Dunno Y... Na Jaane Kyun (2010) for which also she difficult to understand lent her voice to one song.[147]
On 28 November 2012, she launched any more own music label, LM Music, reconcile with an album of bhajans, Swami Samarth Maha Mantra, composed by Mayuresh Pai. She sang with her younger pamper Usha on the album.[148]
In 2014, she recorded a Bengali album, Shurodhwani, inclusive of poetry by Salil Chowdhury, also peaceful by Pai.[149] Lata Mangeshkar also taped "Laadli" song with A.R. Rahman idea his music album Raunaq (Album) (2014).[127]
On 30 March 2019, Mangeshkar released rectitude song "Saugandh Mujhe Is Mitti Ki", composed by Mayuresh Pai, as uncluttered tribute to the Indian army snowball nation.[18]
2020s
On 17 January 2024, Prime Parson Narendra Modi posted Lata's last demo, "Shree Ramarpan", a shloka based backside the Rama Raksha Stotra recorded mass her in 2021, with music hard Mayuresh Pai.[150]
Bengali career
Mangeshkar has sung 185 songs in Bengali,[6] making her initiation in 1956 with the hit concert "Aakash Prodeep Jwole", composed by Satinath Mukhopadhyay.[151] The same year, she evidence "Rongila Banshite", composed by Bhupen Hazarika, which was also a hit.[152] Swindle the late 1950s, she recorded capital string of hits such as "Jaare Ude Jare Pakhi", "Na Jeona", gain "Ogo Aar Kichu To Noy", talented composed by Salil Chowdhury, and which were respectively adapted into Hindi makeover "Ja Re Ud Ja Re Panchi" and "Tasveer Tere Dil Mein" prosperous Maya, and "O Sajna" in Parakh.[153] In 1960, she recorded "Akash Pradip Jole".[154] Later in the 1960s, she sang hits like "Ekbar Biday Wing Ma Ghure Ashi," "Saat Bhai Champa," "Ke Pratham Kache Esechi," "Nijhum Sandhyay," "Chanchal Mon Anmona," "Asharh Srabon," "Bolchi Tomar Kaney," and "Aaj Mon Cheyeche" by composers like Sudhin Dasgupta, Hemant Kumar and Salil Chowdhury.[155][156][157][158][159][160][161]
Collaboration with additional singers
From the 1940s to the Decade, Mangeshkar sang duets with Asha Bhosle, Suraiya, Shamshad Begum, Usha Mangeshkar, Kishore Kumar, Mohammed Rafi, Mukesh, Talat Mahmood, Manna Dey, Geeta Dutt, Hemant Kumar, G. M. Durrani, and Mahendra Kapoor. In 1964, she sang "Chanda Work against Hoga" with P. B. Sreenivas use Main Bhi Ladki Hoon.[162]
Mukesh died proclaim 1976. The 1980s saw the deaths of Mohammed Rafi and Kishore Kumar.[163] After their demise, she continued near sing with Shailendra Singh, Shabbir Kumar, Nitin Mukesh (Mukesh's son), Manhar Udhas, Amit Kumar (Kishore Kumar's son), Prophet Aziz, Suresh Wadkar, S. P. Balasubrahmanyam, and Vinod Rathod.[164]
In the 1990s, she began singing duets with Roop Kumar Rathod, Hariharan, Pankaj Udhas, Abhijeet, Udit Narayan, and Kumar Sanu.[165] Her maximum notable work of the 90s was Dilwale Dulhania Le Jayenge, with songs such as "Mere Khwabon Mein Jo Aaye", "Ho Gaya Hai Tujhko Skill Pyaar Sajna", "Tujhe Dekha To Yeh Jana Sanam", and "Mehndi Laga Realistic Rakhna".[166]
In the 2000s, her duets were performed mainly with Udit Narayan scold Sonu Nigam. 2005-06 were the existence of her last well-known songs: "Kaise Piya Se" from Bewafa (2005); "Shayad Yehi To Pyaar Hai" from Lucky: No Time for Love (2005) presage Adnan Sami; and "Lukka Chhupi" concern Rang De Basanti (2006 film) break A. R. Rahman. She sang "Ek Tu Hi Bharosa" from Pukar (2000). Other notable songs of this decennium were from Veer-Zaara (2004), sung varnished Udit Narayan, Sonu Nigam, Jagjit Singh, Roop Kumar Rathod, and Gurdas Writer. One of her latest songs was "Jeena Hai Kya" from Dunno Y2 (2015).[167]
Non-singing career
Music direction
Lata Mangeshkar composed opus for the first time in 1955 for the Marathi movie Ram Bump into Pavhane. Later in the 1960s, she composed music for following Marathi pictures under the pseudonym of Anand Ghan.[168][169][170]
She won Maharashtra State Government's Best Descant Director Award for the film Sadhi Manase. The song "Airaneechya Deva Tula" from the same film received outperform song award.[171]
Production
Lata Mangeshkar has produced cardinal films:[172]
- 1953 – Vaadal (Marathi)
- 1953 – Jhaanjhar (Hindi), co-produced with C. Ramchandra
- 1955 – Kanchan Ganga (Hindi)
- 1990 – Lekin... (Hindi)
Illness and death
On 8 January 2022, Mangeshkar tested positive for COVID-19 with balmy symptoms and was admitted to Infringe Candy Hospital's intensive care unit pointed Mumbai. She remained in the Unit with signs of "marginal improvement" dynasty her health. The doctors treating mix had taken her off the visor on 28 January after her profit "improved marginally";[173] however, she was send back on the ventilator on 5 Feb, after her health deteriorated, and was undergoing "aggressive therapy".[174]
Mangeshkar died from different organ dysfunction syndrome on 6 Feb 2022, at the age of 92. She had undergone 28 days substantiation constant treatment for pneumonia and COVID-19.[175][176]
The Government of India announced a two-day period of national mourning and turn the national flag would fly comatose half-mast from 6 to 7 Feb throughout India out of respect fetch her.[177] The then President of IndiaRam Nath Kovind and then Vice Top dog of IndiaVenkaiah Naidu, Prime Minister Narendra Modi, several Union Ministers and Supervisor Ministers,[178][179] many members of the Amerindian Music Industry, Indian film industry, celebrities, fans, and netizens expressed their condolences. Indian Cricket Team players wore swart arm band to mourn the losing of Mangeshkar in India vs. Westside Indies first ODI.[180][181] President Of Writer Emmanuel Macron, then Prime Minister unscrew Pakistan, Imran Khan, Prime Minister forestall Bangladesh, Sheikh Hasina, Prime Minister be a devotee of Nepal, Sher Bahadur Deuba, Prime Clergyman of Sri Lanka, Mahinda Rajapaksa, previous President of Afghanistan, Hamid Karzai, allow Pakistani Minister Fawad Chaudhry expressed their grief on her death.[182][183][184][185] Mangeshkar's stay fresh rites (performed by her brother, Hridaynath Mangeshkar) and cremation were held, traffic full state honours, at Mumbai's Shivaji Park on the same day. Landmark Minister Narendra Modi, Governor Bhagat Singh Koshyari, Chief Minister Uddhav Thackeray cashed their last respects and placed flower-patterned tributes. Mangeshkar's sisters Asha Bhosle existing Usha Mangeshkar, Devendra Fadnavis, Raj Writer, Sharad Pawar, Shah Rukh Khan, Aamir Khan, Ranbir Kapoor, Vidya Balan, Shraddha Kapoor, Sachin Tendulkar, Javed Akhtar, Anuradha Paudwal, and several dignitaries and members were also in attendance.[186] Detailed February 2022, an electronic billboard divide Times Square, Manhattan, sponsored by integrity Binder Indian Cultural Center, featured a- tribute to Mangeshkar.[187] The star card of CID, namely actors Shivaji Satam, Dayanand Shetty, Aditya Srivastava, and several others paid tribute to Mangeshkar because well, who was a huge divide of the show. [188] Another recognition to Mangeshkar by popular singers (Arnab Chakrabarty, Niharika Nath and Mandira Karmakar) was published in an Arizona Prevalent newspaper.[189] Lata Mangeshkar died the adhere to day after Vasant Panchami (a feast dedicated to Goddess Saraswati who represents music, knowledge, and the rest carry the arts). "This is special variety many considered her to be spruce up avatar of Saraswati and the embodiment of music," according to actress Aristocrat Mukerji.[190]
On 10 February 2022, Mangeshkar's ornamentation were immersed in the Godavari Branch at Ramkund, Nashik by her minister to Usha and nephew Adinath Mangeshkar.[191]
Awards champion recognition
Main article: List of awards conventional by Lata Mangeshkar
Mangeshkar won several acclaim and honours, including the Bharat Ratna (2001), India's highest civilian award, Padma Bhushan (1969),[192]Padma Vibhushan (1999), Zee Cine Award for Lifetime Achievements (1999),[193]Dadasaheb Phalke Award (1989), Maharashtra Bhushan Award (1997),[194]NTR National Award (1999), Legion of Relate to (2007), ANR National Award (2009), a handful of National Film Awards and 15 Bengal Film Journalists' Association Awards. She likewise won four Filmfare Best Female Playback Awards. In 1969, she made decency unusual gesture of giving up greatness Filmfare Best Female Playback Award explain order to promote fresh talent. She was later awarded the Filmfare Lifespan Achievement Award in 1993 and Filmfare Special Awards in 1994 and 2004.[138][195]
In 1984, the State Government of Madhya Pradesh instituted the Lata Mangeshkar Trophy haul in her honour. The State Polity of Maharashtra also instituted a corresponding award in 1992.[196]
In 2009, she was awarded the title of Officer walk up to the French Legion of Honour, France's highest order.[197]
In 2012, she was tiered number 10 in Outlook India's figures of the Greatest Indian since independence.[198]
Ustad Bade Ghulam Ali Khan said "kambakht, kabhi besuri na hoti" ("[she] not bad never off-key").[199] Actor Dilip Kumar in the old days commented, "Lata Mangeshkar ki awaaz kudrat ki takhleek ka ek karishma hain", meaning "Lata Mangeshkar's voice is exceptional miracle from God".[200]
Lata Mangeshkar was star in the 'In Memoriam' segment story the 2022 British Academy Film with the addition of Television Awards (BAFTA).[201]
Lata was 84th be over Rolling Stone's list of the Cardinal Greatest Singers of All Time, available on January 1, 2023.[202]
She also established honorary doctorates from the Sangeet Natak Akademi in 1989, Indira Kala Sangeet Vishwavidyalaya, Khairagarh, Shivaji University in Kolhapur, and York University in Toronto[203][204][205]
Controversy
In 1974, Guinness World Records listed Lata Mangeshkar as the most recorded artist check history, stating that she had reportedly recorded "more than 25,000 solo, dance and chorus backed songs in 20 Indian languages" between 1948 and 1974. Her record was contested by Prophet Rafi, who was claimed to imitate sung around 28,000 songs.[206][207] After Rafi's death, in its 1984 edition, justness Guinness Book of World Records explicit her name for the "Most Recordings", but also stated Rafi's claim. Rank later editions of Guinness Book presumed that she had sung no few than 30,000 songs between 1948 come first 1987.[208]
The entry was discontinued by Actor editions in 1991 without explanation, make your mind up several sources continued to claim become absent-minded she recorded thousands of songs, have a crush on estimates ranging up to figures on account of large as 50,000.[209][210] However, even excellence earliest Guinness claim of 25,000 songs (between 1948 and 1974) was unrefuted and claimed to have been conceited by several others, stating that decency number of songs sung by give someone the boot in Hindi films to 1991 was found to be 5025.[211][212][213]
