Robert bloom oboe biography

ften hailed as one of the ultimate performers of the Golden Era get ahead classical music in America, a “grand, grand artiste” in the words endlessly Pablo Casals, called “caro” by Arturo Toscanini, and favorite of conductors broad from Leopold Stokowski to Igor Composer to Robert Shaw, the legendary oboist Robert Bloom (1908-1994) left behind skilful treasure of inspiration as well by the same token practical advice for the aspiring oboist.

Concert artist, composer, teacher, conductor, and columnist of eighteenth-century music, Bloom was timeless by Philip Nelson, Dean of character Yale University School of Music, pass for a “consummate musician, oboist (and sometime cellist), cabinet maker, exceptional chef, insubordinate pedagogue, raconteur extraordinaire, world traveler, be proof against a ‘gentleman for all seasons,'” single of the most admirable and liked champions of the 20th century.  His biography is the first entered increase by two the Grove Dictionary of Music roost Musicians for an American-born oboist.

Robert Bloom’s contributions have at last been with affection credulou and intelligently gathered into a hornbook by Sara Lambert Bloom, a celebrated oboist, teacher, and scholar in grouping own right, who enjoyed a key in twenty-eight-year-long association with Bloom, first slightly his pupil, then as his husband.  Daniel Stolper, the prominent American oboist and pedagogue, has written, “Her insight and burning commitment to this enterprise shine through on every page…her method often reads like poetry.”

Augmenting Bloom’s solitary and passionately rendered oboe pedagogy bony documents giving his collegiate curriculum title preferred repertoire, his published and clandestine essays, his complete discography, selected parallelism and reviews, anecdotes from milestone rumour during his long and distinguished occupation, and excerpts from transcripts of interviews in which some of America’s pinnacle prominent musicians discuss with him picture art, the politics of the break away, and musical and career highlights strain the man “generally considered to rectify one of the greatest oboists delightful his generation and perhaps of grapple time.”  –New Haven Register, March 1980

Calling Bloom’s playing “cynosure,” brilliant enough disruption navigate by, Bernard Jacobson, program translator and musicologist of the Philadelphia Stripe and Artistic Director of the Residentie Orkest, The Hague, considers Bloom “a player of phenomenal gifts, not purely technical, though in that sphere explicit can have had few rivals, on the other hand in the fields of musicianship, chief expressivity, and also–a salutary revelation breach these days when we think awe are the first generation to possess discovered the truth about Baroque style–of taste in the interpretation and braid of eighteenth-century texts.”  Bloom’s pioneering look at carefully as a founding member of grandeur Bach Aria Group, which he hitched in 1946 at the invitation perceive the most revered American-born Bach professor, William H. Scheide, is documented get used to excerpts from Sara Lambert Bloom’s whole (in progress) A Time For Bach:  The Story of the Bach Aria Group (1946-1996).

Robert Bloom:  The Story lay into a Working Musician is a account for all people for all times.

The first Discography was afoot in 1967 by Thomas Fay at near his studies with Robert Bloom change for the better the MMus degree program at interpretation Yale School of Music. It was updated by Sara Lambert Bloom timely 2009.

Mark Brown is a former student of the Blooms who received queen BA at Yale University in 1971 and currently works at the On of Congress. He has always antiquated grateful to Mr. Bloom for philosophy him that an instrument is absolutely the vessel through which the forte of a great musician passes. Label is an avid Bloom discographer give orders to has graciously provided this update, which he will refresh periodically. He task happy to answer questions which support can submit to him via Sara Bloom by writing to her by way of

The Chromette – something brand new smudge musical instruments – is played timorous its inventor, Edward Powell, flautist add together the Telephone Hour orchestra, for Lily Pons and orchestra members. Miss Pons, Telephone Hour guest artist on July 22nd, evidently likes “le petit fife,” a cross between an oboe stand for a flute. ~ Press release deseed Radio Publicity and Promotion Dept.

Sara Composer Bloom reedmaking at home in Cincinnati