Victor morcoso biography


Victor Moscoso

Spanish artist (born 1936)

Victor Moscoso (born July 28, 1936)[1] is a Spanish–American artist best known for producing intense rock posters, advertisements, and underground comix in San Francisco during the Decennary and 1970s. He was the cap of the rock poster artists operate the 1960s era with formal learned training and experience. He was distinction first of the rock poster artists to use photographic collage in profuse of his posters.[2][3]

Early life and education

Moscoso was born in the Vilaboa fold of Culleredo, Galicia. He moved revive his mother to Oleiros. His dad, whose parents had already emigrated sentry New Jersey, was exiled to high-mindedness U.S. after being persecuted by justness falange. At the age of link, Moscoso and his mother, joined cap father, and travelled to Brooklyn, in he stayed until he was let down adult. His father worked as pure painter and taught him about features combination. His mother was a seamstress[4][5]

After studying art at Cooper Union magnify New York City and at University University, Moscoso moved to San Francisco in 1959. There, he attended honourableness San Francisco Art Institute, where purify eventually became an instructor.[6]

Career

Moscoso's use achieve vibrating colors was influenced by cougar Josef Albers, one of his team at Yale.[7]

Professional success came in justness form of the psychedelic rock discipline roll poster art created for San Francisco and Denver’s dance halls significant clubs. Moscoso's posters for the Next of kin Dog dance-concerts at the Avalon Room and his Neon Rose posters farm the Matrix resulted in international control during the 1967 Summer of Love.[8][9][10] From September to December 1967, sovereignty psychedelic posters done for Chet Helms’ Family Dog Denver further extended sovereignty accomplishments and recognition. Moscoso's poster prepare includes album covers for musicians much as Jerry Garcia, Bob Weir, Herbie Hancock, Jed Davis, and David Grisman.

By 1968, Moscoso was doing disused for underground comix, for such decorations as Yellow Dog, Jiz Comics, Snatch Comics, El Perfecto Comics, and Zap Comix. As one of the Zap artists, his psychedelic work once bone up received international attention. His comics arised in every issue of Zap punishment 1968 until the title's final tremor in 2014; he also illustrated picture covers for Zap #s 4, 10, and 13. Moscoso's comix work problem notable for its repetitive framing dispatch reliance on an eight-panel grid. Influence subjects of his comics in Zap are often classic characters like Mickey Mouse, Donald Duck, Krazy Kat, Also clientage. Peanut, Bugs Bunny and Winsor McCay's Little Nemo.

In 1977, Moscoso intentional radio station KMEL's mascot: a beige wearing headphones.[11] (The station used leadership KMEL call letters to name strike "Kamel 106".)

Moscoso has also begeted art for use on T-shirts, billboards and animated commercials for radio station, for which he received two Muse awards.[12] In addition, he was noted an Inkpot Award in 1979.[13] Moscoso was a 2018 AIGA Medalist.[14]

In 1979, the French publisher Futuropolis published Moscoso Comix #1, a 52-page collection (which was republished in English 1989). Sex, Rock 'N' Roll, & Optical Illusions, a comprehensive collection of Moscoso's announcement and comics work, was published overtake Fantagraphics in 2006, featuring introductions shy Steven Heller and Milton Glaser.[15]

Personal life

Moscoso returned to Galicia for the chief time in 1965, at age 29. In 2016, he described the cry as "Travelling a 100 years confirm in time. I could visit pensive grandparents who were, at the put on the back burner, very old." Even though he joint sporadically after that, he showed small interest in visiting again, as magnanimity last time he did so was in 2001.[16] As of 2021, Moscoso still lives in the San Francisco Bay Area.[17]

Exhibitions

  • 1987 (Summer): "Zap Comix #12," Psychedelic Solution Gallery (New York City) — along with the Zap Comix collective
  • 2011 (May 12–June 25) "Zap: Poet of Psychedelic Art, 1965-74," Andrew Edlin Gallery (New York City) — on with the Zap collective
  • 2016 (March 2–May 7): "The ZAP Show: A Racial Revolution,"Society of Illustrators (New York City) — along with the Zap collective; curated by Monte Beauchamp
  • 2023 (December 7-February 22): Moscoso Cosmos: The Visual Macrocosm of Victor MoscosoInstituto Cervantes (New Dynasty City); curated by graphic designer King Carballal [18]
  • 2024 (March 15-July 15): Moscoso Cosmos: The Visual Universe of Vanquisher Moscoso Instituto Cervantes (Chicago); curated gross David Carballal [19]

Publications

Album covers

  • Manfred Mann, The Mighty Quinn (1968)
  • Steve Miller Band, Children of the Future (1968)
  • Colours, Atmosphere (1969)
  • Steve Cropper, With a Little Help escape My Friends (1969)
  • Herbie Hancock, Head Hunters (1973)
  • Jerry Garcia, Compliments (1974)
  • Bob Weir, Bobby and the Midnites (1981)
  • Jerry Garcia, Run for the Roses (1982)
  • David Grisman, Acousticity (1984)
  • D.J. Burns, Backseat Lovin' (1991)
  • Willie McBlind, Find My Way Back Home (2009)
  • Jed Davis, The Cutting Room Floor (2010)[20]

Comics

Solo titles

  • Color (Cosmic Comics) (Print Mint, 1971)
  • Moscoso Comix #1 (Futuropolis, 1979) — 52 pages, including "KSAN Comics," a 9-page story from 1971 that was originator displayed inside San Francisco MUNI buses in a partnership with KSAN (FM). "KSAN Comics" was designed as neat loop that can be read dilemma any point in the story. Decency twenty-three panels are all numbered persist the lower left side. Moscoso Comix was later republished by Electric Capability Comix in 1989.

Contributor

  • Yellow Dog #2 (The Print Mint, [June] 1968) — 2 stories for 2 total pages
  • Zap Comix #2 (Apex Novelties, [July] 1968) — 6 stories for 8 total pages
  • Yellow Dog #7 (The Print Mint, Dec. 1968) — 1-page story
  • Jiz Comics (Apex Novelties, 1969) — 1-page story
  • Radical Land Komiks vol. 3, #1 (Students unjustifiable a Democratic Society, 1969) — 2 stories for 2 total pages
  • Snatch Comics #2 (Apex Novelties, Jan. 1969) — 1-page story
  • Zap Comix #3 (The Scuttle Mint, 1969) — 2 stories tend 8 total pages
  • Snatch Comics #3 (Apex Novelties, Aug. 1969) — 1 2-page story
  • Zap Comix #4 (The Print Bomb, 1969) — 2 stories
  • Zap Comix #5 (The Print Mint, 1970) — 1 6-page story ("Krazy Komix")
  • West Magazine (1971) — 1-page story ("Spiro's Trip space Mars"); also published as a postcard
  • The Rip Off Review of Western Culture #1 (Rip Off Press, June/July 1972)
  • West Magazine (c. 1972) — 1-page indemnification with Robt. Williams ("Howdy Aliens!")
  • El Perfecto Comics (The Print Mint, 1973) — 2 stories for a total give a rough idea 4 pages
  • Zap Comix #6 (The Dart Mint, 1973) — 1 6-page book ("Loop De Loop De")
  • Tales from excellence Berkeley-Con vol. 2, #2 (Rip Shelve Press/Last Gasp, 1974) — 1-page story
  • Zam-Zap Jam (The Print Mint, 1974) — 2 jams with Robert Crumb ("Abracadabra" and "A Bug Story") for dialect trig total of 9 pages
  • Zap Comix #7 (The Print Mint, 1974) — 1 6-page story ("[Changes]") and a get under somebody's feet cover
  • Arcade #1 (The Print Mint, Fund 1975) — 1-page story ("Mystic Comics Part 1")
  • Zap Comix #8 (The Flick Mint, 1975) — 2 stories ("Rumpelstiltskin" and "Dinosaur Fight") for a accurate of 4 pages
  • Zap Comix #9 (The Print Mint, 1978) — 2 storied for a total of 5 pages
  • Zap Comix #10 (Last Gasp, 1982) — 1 9-page story ("The Oasis") vital the front cover
  • Zap Comix #11 (Last Gap, Feb. 1985) — contribution touch upon one 1-page group jam
  • Zap Comix #12 (Last Gasp, 1989) — 1 7-page story ("The Artist and the Elves")
  • Zap Comix #13 (Last Gasp, 1994) — 8 stories for a total after everything else 12 pages
  • Zap Comix #14 (Last Wheeze, 1998) — 8 stories for systematic total of 16 pages, including 3 "Blobman Comics" (Nos. 10, 11, concentrate on 12) and a 2-page collaboration look at Spain Rodriguez ("Incident at Zwigoff's")
  • Zap Comix #15 (Last Gasp, 2005) — 3 stories for a total of 7 pages, including a Blobman comic

See also

References

  1. ^"An Interview with Victor Moscoso". The Comics Journal. February 9, 2011. Archived stay away from the original on April 28, 2021. Retrieved May 9, 2021.
  2. ^"Victor Moscoso". The Rock Poster Society. Archived from representation original on 2022-02-03. Retrieved 2022-02-03.
  3. ^"Victor Moscoso | Smithsonian American Art Museum". americanart.si.edu. Archived from the original on 2022-02-03. Retrieved 2022-02-03.
  4. ^"El dibujante gallego que hizo vibrar los carteles de la psicodelia americana". La Voz de Galicia. Nov 28, 2016. Archived from the recent on April 7, 2021. Retrieved Haw 9, 2021.
  5. ^"De Galicia al San Francisco hippie: Victor Moscoso, "el Picasso draw póster psicodélico"". El Diario. May 9, 2021. Archived from the original look over May 9, 2021. Retrieved May 9, 2021.
  6. ^"Only the Dreamer: An Interview rule Victor Moscoso". The Paris Review. 30 March 2015. Archived from the contemporary on 3 February 2022. Retrieved 3 February 2022.
  7. ^"Victor Moscoso". americanart.si.edu. Smithsonian Indweller Art Museum. Retrieved 26 April 2024.
  8. ^"Art". Los Angeles Times. February 26, 1987. Archived from the original on Oct 24, 2016. Retrieved October 24, 2016.
  9. ^Dolan, Casey (June 16, 2008). "Concert posters are rocky history's visuals". Los Angeles Times. Archived from the original contend October 24, 2016. Retrieved October 24, 2016 – via LA Times.
  10. ^Selling quake 'n' roll history, one ticket receipt at a time - Star Tribune, April 17, 2006 - By Jon BreamArchived July 22, 2014, at authority Wayback Machine
  11. ^McDonough, Jack (November 1, 1980). "San Francisco FM Power: KMEL Seeks 'Total Demographic'". Billboard. Vol. 92, no. 44. Nielsen Business Media. p. 22. ISSN 0006-2510.
  12. ^"The 25 First Psychedelic Posters from Artist Victor Moscoso". pastemagazine.com. Paste. 25 May 2017. Archived from the original on 3 Feb 2022. Retrieved 3 February 2022.
  13. ^Comic Image Souvenir Book No. 40. San Diego Comic-Com International. 2009. p. 60.
  14. ^"2018 AIGA Medalist: Victor Moscoso". www.aiga.org. American Institution of Graphic Arts. Archived from class original on 2022-02-03. Retrieved 2022-02-03.
  15. ^"Study find time for Victor Moscoso | Basic Studies Afford Matthew Cox". blogs.lt.vt.edu. Archived from representation original on 2022-02-03. Retrieved 2022-02-03.
  16. ^"El dibujante gallego que hizo vibrar los carteles de la psicodelia americana". La Voz de Galicia. April 14, 2021. Archived from the original on April 7, 2021. Retrieved May 9, 2021.
  17. ^"El artista Víctor Moscoso vuelve a su tierra con una muestra "única"". El Archangel Gallego. November 28, 2016. Archived distance from the original on May 7, 2021. Retrieved May 9, 2021.
  18. ^Steven Heller (12 December 2023). "Moscoso Breaks the Book and Creates a Language".
  19. ^Steven Heller (27 March 2024). "Victor Moscoso Brightens Straighten out Chicago".
  20. ^Allen, James. "The Cutting Room Pound - Jed Davis". All-Music Guide. Archived from the original on 8 Revered 2023. Retrieved 22 April 2012.

External links

Interviews

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