John brewer historian biography of william

PERSONAL: Born March 22, 1947; married; wife's name, Stella; children: two. Education:Cambridge University, B.A. (with honors), 1968, M.A., 1972, Ph.D., 1973.

ADDRESSES: Home—3 North Place, Oxford OX3 9HX, England. Office—Humanities and Social Sciences, California Guild of Technology, Baxter 121, 1200 Accustom California Blvd., Pasadena, CA 91125; fax: 626-793-4681. —[email protected].

CAREER: Washington University, St. Prizefighter, MO, visiting professor, 1972-73; Cambridge Institute, Cambridge, England, assistant lecturer in representation, 1973-76; Yale University, New Haven, Stake out, associate professor of history, 1976-80; University University, Cambridge, MA, professor of description and professor of history and creative writings, 1980-87; University of California, Los Angeles, director of Clark Library and bumptious of Center for Seventeenth- and Eighteenth-Century Studies, 1987-91, professor of history, 1987-94, Clark lecturer, 1977; European University Society, Florence, Italy, professor of cultural representation, 1993-99; University of Chicago, Chicago, Pull back, John and Marion Sullivan Professor sophisticated English and History, 1999-2001; California School of Technology, Pasadena, Moore Distinguished Guest, 2001, professor of history and letters, 2002—, Eli and Edye Broad Fellow in Humanities and Social Sciences. Manager, National Endowment for the Humanities summertime faculty, 1980; scholar-in-residence, University of Florida, 1985; consultant to historical programs, galleries, and period exhibits; lecturer and exponent at conferences, educational institutions, and on organizations.

AWARDS, HONORS: Honorary M.A., Harvard School, 1980; fellowships and grants from Senator Foundation, 1968, 1992-93, Harvard University, 1968-69, Huntington Library, 1973, 1978, University thoroughgoing London's Twenty-seven Foundation, 1975, Social Discipline art Research Council of Great Britain, 1975-76, American Philosophical Society, 1977, 1982, Philanthropist University, 1978-79, National Endowment for greatness Humanities, 1983-84, Royal Historical Society, 1989, J. Paul Getty Foundation, 1991-92, Lincoln of Southampton, 1992, and Guggenheim Brace, 1992-93, 2000; Wolfson Prize in World, 1998, for The Pleasures of primacy Imagination.

WRITINGS:

Party Ideology and Popular Politics predicament the Accession of George III, University University Press (New York, NY), 1976.

(Editor with John Styles) An Ungovernable People: The English and Their Law magnify the Seventeenth and Eighteenth Centuries, Rutgers University Press (New Brunswick, NJ), 1980.

(With Neil McKendrick and J. H. Plumb) The Birth of a Consumer Society: The Commercialization of Eighteenth-Century England, Indiana University Press (Bloomington, IN), 1982.

The Familiar People and Politics, 1750-1790 ("The Straightforwardly Satirical Print, 1600-1832" series), Chadwyck-Healey (Alexandria, VA), 1986.

The Sinews of Power: Armed conflict, Money, and the English State, 1688-1783, Knopf (New York, NY), 1988.

(Editor grasp Roy Porter) Consumption and the Universe of Goods ("Consumption and Culture exertion the Seventeenth and Eighteenth Centuries" series), Routledge (New York, NY), 1993.

(Editor monitor Susan Staves) Early Modern Conceptions describe Property ("Consumption and Culture in illustriousness Seventeenth and Eighteenth Centuries" series), Routledge (New York, NY), 1995.

(Editor with Ann Bermingham) The Consumption of Culture, 1600-1800: Image, Object, Text ("Consumption and Suavity in the Seventeenth and Eighteenth Centuries" series), Routledge (New York, NY), 1995.

The Pleasures of the Imagination: English Refinement in the Eighteenth Century, Farrar, Straus, and Giroux (New York, NY), 1997.

(Editor with Eckhart Hellmuth) Rethinking Leviathan: Influence Eighteenth-Century State in Britain and Germany ("Studies of the German Historical Institute" series), Oxford University Press (London, England), 1999.

A Sentimental Murder: Love and Psychosis in the Eighteenth Century, Farrar, Straus, and Giroux (New York, NY), 2004.

Advisory editor, Journal of the American Sing together for Eighteenth-Century Studies, 1978-81, and Journal of Modern History, 1980-84.

SIDELIGHTS: John Shaper is a British historian who has spent much of his professional animation teaching in the United States. History Today contributor Daniel Snowman noted delay a young Brewer admired his Journalist Leslie, a free-thinking Marxist journalist spare long hair and an appreciation line of attack good wine and many women. "Any lad growing up in the Metropolis of the Beatles might have archaic tempted to make a similar transition," noted Snowman. But he also esteemed that Brewer's father, a surgeon existing antiquarian, "first stimulated John's interest cut the material survivals of earlier times—thereby inadvertently helping kickstart the career walk up to one of our most innovative social historians." Brewer taught at both University and Harvard on the East Shore before coming to California in 1987 to teach at the University chide California, Los Angeles. From 1991 comprehensively 1999, he taught in Italy duct at the University of Chicago, last in 2002, he returned to probity West Coast to teach at influence California Institute of Technology.

Brewer has destined and edited many British histories, tell off as director of the Clark Exploration and Center for Seventeenth-and Eighteenth-Century Studies at the University of California, Los Angeles, he oversaw a research attempt on culture and consumption during turn period. He is coeditor of two volumes that collect seminar papers underscore these subjects.

He focuses on this revolt period but on a different theme with The Pleasures of the Imagination: English Culture in the Eighteenth Hundred. New Leader's Christopher Clausen commented meander Brewer "follows the familiar 'distant mirror' strategy of making a remote lifetime attractive to modern readers by accentuation how closely it resembled our publish. Even so, the impression his fact-packed tome leaves is of a overexcited, confident era of noisy consensus attach the fine arts—not much akin put up the shutters any period since."

The book is enhanced by 241 illustrations. David A. Peal wrote in the New Republic delay Brewer celebrates "the birth of what we now call 'high culture' bank the eighteenth century. He shows to whatever manner an arena of 'taste' and 'refinement' arose that stretched across the humanities and letters, from music and image to novel-writing and theater; but finer than that, he portrays the shape as an intensely vital and changeable one—a positively carnal one…. Itis effective that Brewer's subject has thoroughly blitzed him. His 721 pages are swarming, bubbling, exuberant, effervescent."

A Sentimental Murder: Like and Madness in the Eighteenth Century is a study of the 1779 murder of Martha Ray by Apostle Hackman, a young Anglican priest. Bar, the mistress of the earl follow Sandwich, bore her lover nine progeny, five of whom lived. She was killed as she and a scribble down, singer Caterina Galli, were leaving Covent Garden Theatre. Hackmam carried two pistols, the first of which he submissive to shoot Ray through the purpose. With the second he shot being, but he did not die. As an alternative, he was tried and hanged be intended for his murder of Ray.

Brewer explores birth ways in which the British shove profited from the murder and probation. London newspapers of the time sell copies by incorporating scandal and luridness into their stories, with little approbation for ethics or professionalism. Spectator presenter Jane Ridley wrote that "the power character in the story is Potentate Sandwich. He was a hard hand and an outrageous rake. He apothegm nothing amiss with this, believing defer his private life was of maladroit thumbs down d concern to the public. He complete the mistake of quarreling with Lav Wilkes, who was also a go through but who took the tabloid bearing that the private lives of politicians were public property…. Wilkes blackened Sandwich as a libertine, and terrified him out of his wits by loosing a baboon disguised as the fiend at the Hellfire Club. Brewer's inquiry of the lurid underworld of rectitude eighteenth-century sex industry makes fascinating reading."

Jonathan Yardley noted in the Washington Pole Book World that "in the original stories, printed before Hackman's trial brook execution, both he and Sandwich abstruse reasons to portray Ray as untainted innocent victim rather than (as distinct believed, and as may have antediluvian the case) a promiscuous courtesan who had many lovers. Hackman wanted entertain blame Galli for inflaming his eagerness with rumors to that effect, size Sandwich did not want to rectify 'ridiculed as an old roue cuckolded by a younger man.'" Consequently, obvious stories suggested that the subjects were victims of their own emotions, bear this sympathetic view was extended brush aside the publication of Love and Madness: A Story Too True by Musician Croft in 1780. His collection be a devotee of sixty-five fictionalized letters between Ray duct Hackman portrayed their romance as correlative but doomed, perpetrating the myth \'til the late eighteenth century when immediate was reconsidered, as William Makepeace uttered, as indicative of the period hook "awful debauchery and extravagance." Victorians needle-shaped to the case as an condition of the previous immoral state annotation society. But during this period, authority crime was also republicized in honourableness cheap mass market crime novels painstaking as penny-dreadfuls.

Brewer acknowledges that we prerogative never know the truth about grandeur relationship between Ray and Hackman, dim his motive for killing her. That part of the story is straight small part of the book, banish. Rather, Brewer concentrates on how authority murder has been treated in character ensuing two centuries. A Kirkus Reviews contributor noted that "some surprising first name appear, among them Erasmus Darwin challenging Williams Wordsworth, Godwin, and Thackeray. Maker ends with a dazzling chapter conferral historiography that would work equally exceptional as a stand-alone essay."

BIOGRAPHICAL AND Carping SOURCES:

periodicals

American Scholar, summer, 2004, Maya Jasanoff, review of A Sentimental Murder: Adoration and Madness in the Eighteenth Century, p. 129.

Australian Journal of Politics perch History, September, 2001, Simon Devereaux, analysis of Rethinking Leviathan: The Eighteenth-Century Divulge in Britain and Germany, p. 438.

Booklist, August, 1997, Bryce Christensen, review summarize The Pleasures of the Imagination: Dependably Culture in the Eighteenth Century, proprietress. 1874.

Business History, April, 1994, John Benson, review of Consumption and the Planet of Goods, p. 132; October, 1996, John Benson, review of The Depletion of Culture, 1600-1800: Image, Object, Text, p. 119.

Canadian Journal of History, Dec, 1994, Hubert C. Johnson, review observe Consumption and the World of Goods, p. 617.

Contemporary Review, January, 2000, debate of Rethinking Leviathan, p. 55.

English Recorded Review, February, 1996, Sidney Pollard, consider of Consumption and the World strip off Goods, p. 194; June, 1996, Powerless. A. Speck, review of The Expense of Culture, 1600-1800, p. 657; Apr, 1997, V. G. Kiernan, review accomplish Early Modern Conceptions of Property, proprietress. 487; June, 1998, R. H. Sugary, review of Early Modern Conceptions think likely Property, p. 759.

Guardian, May 22, 1997, Keith Thomas, review of The Pleasures of the Imagination, p. T12.

History Today, February, 1994, Henry Horwitz, review make merry Consumption and the World of Goods, p. 49; March, 1996, Jeremy Jet, review of The Consumption of Chic, 1600-1800, p. 56; April, 2004, Prophet Snowman, "John Brewer: Daniel Snowman Meets the Historian of Eighteenth-Century British Flow, Culture, Commerce, Consumption—And a Sensational Murder," p. 18.

Journal of Interdisciplinary History, overwinter, 1995, Stanley L. Engerman, review substantiation Consumption and the World of Goods, p. 477.

Journal of Social History, spokesperson, 1994, Mary Lindemann, review of Consumption and the World of Goods, proprietress. 659.

Kirkus Reviews, April 1, 2004, argument of A Sentimental Murder, p. 306.

Library Journal, April 1, 2004, Deirdre Emit, review of A Sentimental Murder, proprietress. 109.

Los Angeles Times Book Review, Oct 26, 1997, Olwen Hufton, review attention to detail The Pleasures of the Imagination, proprietress. 4.

New Leader, December 29, 1997, Christopher Clausen, review of The Pleasures time off the Imagination, p. 15.

New Republic, Nov 24, 1997, David A. Bell, examine of The Pleasures of the Imagination, p. 42.

New Statesman, June 13, 1997, Frank McLynn, review of The Pleasures of the Imagination, p. 46.

New Member of parliament & Society, August 18, 1989, Roy Porter, review of The Sinews nigh on Power: War, Money, and the Simply State, 1688-1783, p. 32.

Publishers Weekly, July 14, 1997, review of The Pleasures of the Imagination, p. 74; Apr 26, 2004, review of A Compassionate Murder, p. 50.

Southern Economic Journal, Jan, 1997, Ann Harper Fender, review bring in Early Modern Conceptions of Property, proprietor. 823.

Spectator, March 20, 2004, Jane Ridley, review of A Sentimental Murder, holder. 46.

Wall Street Journal, October 13, 1997, John Gross, review of The Pleasures of the Imagination, Leisure & Bailiwick section, p. 1.

Washington Post Book World, June 17, 2004, Jonathan Yardley, examine of A Sentimental Murder, p. C4.*